Shawn L. Bird

Original poetry, commentary, and fiction. All copyrights reserved.

Pilgrimage to Fluevog Gastown October 27, 2012

I discovered Vancouver’s Fluevog shoes just in the last year or so, and ever since I have been developing a collection of gorgeous shoes.  Fluevogs are very well made, beautifully designed, unique and interesting shoes.  I’m discovering that there is definitely a Fluevogian attitude that celebrates creativity.  People who wear ‘Vogs are people I enjoy meeting.

I have purchased all my ‘Vogs online, either through www.fluevog.com or eBay, but I dreamed of the day that I would be able to make a pilgrimage to the flagship, original store in Gastown.

When I went to Surrey for SIWC2012, I took the opportunity.  I parked Sheila the Bug at the hotel, and took the bus and Skytrain into Gastown.  55 minutes X 2 trips in order to spend a few minutes in a store that had originally been a car park.  It’s all glass front and roof, and log slices artfully display the most brilliant shoes on the planet in the abundant natural light.

Red and purple Fluevog K2s

I had two shoe styles that I wanted to try on.  The first was  the new Elizabeths with the ball and claw heel that mimics Chippendale style furniture.  So cool!  Unfortunately, the Elizabeths rubbed in a bad place, so I will have to wait for future shoes coming out with this amazing heel.

The second shoes were the K2s.  I have worn similar shoes (in boring black) and had them until they fell apart. I know Oxfords are a great, every day style shoe for me.  The K2s were a perfect fit, soft leather, fun vibrant colour combination, great heel height, and eye-catching, as well.  My kind of shoe!  They were an easy, “Yes!” and into the lovely paper bag they went.

After my shoe purchase, I headed across the road to The Coffee Bar to have dinner with Citieguy Paul Schellenberg who is a local impresario.  Paul and I were Rotary Exchange students together years ago.  He went to Belgium when I went to Finland.  It’s been quite a few years, and it’s fun to see where we’ve taken the skills we developed as exchange students!  It turns out that The Coffee Bar is a favourite haunt of my son, who works for 49th Parallel Roasteries,  which supplies the coffee that is served there.  The cashier raved about how wonderful my son is, and  I told them to tell him that they’d met his mother. <g>  Nothing like embarrassing your kid, right?

The visit with Paul was all too short, because I had a big night ahead of me!  The lovely Fluevog paper bag dissolved on the way back to the hotel, in the humidity of  the miserable rain, but nothing could wash away my enthusiasm!  I put my new shoes onto my feet and headed off to Chapters at Strawberry Hill to meet authors JJ Lee, Michael Slade, CC Humphreys, Mary Balogh, Jack Whyte, and Diana Gabaldon.

Like the finance minister wearing new shoes to present a new budget, my new Fluevogs set the tone for a weekend of creativity, exhuberance, and promise.  I was introduced to a lot of wonderful people who had to stop to ask me about my various shoes.  I wore Fluevog Bellevue Pearl Harts to the 1920s dinner for perfect vintage style.  My Fluevog Ice Blue Macchiatos made the SIWC Facebook page, and at dinner one evening, I was asked to come meet a table of ladies all wearing unique Fluevog shoes. Author CC Humphreys complimented my shoes, and pointed out that he, too, was weaving ‘Vogs!  The people at SIWC are clearly MY PEOPLE! <g>

Of course, besides helping to meet amazing new people, the best thing about having distinctive shoes, is that whenever I wear these awesome K2s, I will remember that I was wearing them when I met my favourite author, Diana Gabaldon!  <g>  It will remind me of her writing advice and generous spirit.

Creative shoes.  Creative people.  Creative spirit.  Creative life.

 

What else did you do at SIWC? October 26, 2012

Aside from the pitch and blue pencil time, The Surrey International Writers’ Conference offers an amazing variety of workshops and keynote addresses.  As a teacher, I love learning, and it was wonderful to learn from the following:

Friday Keynote by Jane Espenson– screenwriter of Buffy, Husbands, Once Upon a Time, etc.  She’s very funny and inspired us with the tale of achieving her dream to be a writer.  Our words have power: “SO SAY WE ALL!”

How to Be a Well Paid Blogger by Carol Tice.  In the next few months, you’ll see some changes to my blog, and many of them will be because of this rather astonishing workshop.

What to do with the Back story by Diana Gabaldon.  This workshop focused on how to subtly introduce elements of back story without stopping the action of the story.  To be honest, my favorite part of this workshop was when I raised my hand to ask a question, and Diana called on me by name.  <g>  In my blue pencil, we referenced things covered in this workshop, so I have specific things to remember…

Diving Into the Past a panel of historical fiction writers including CC Humphreys, Mary Balogh, Anne Perry, Jack Whyte, and in the audience, Diana Gabaldon who contributed now and then to the discussion when asked.  I was pitching to an agent during part of this session, and missed half of this panel.  The biggest tip I took from this was that you can research forever and never start writing.  Research enough to get going, and then write!  Don’t stop the fluency of writing to research, stick a question in square brackets and keep going.  Later, after the first draft is done, you can go back and figure out what you needed to know.

Keynote speaker for Friday night was Robert Sawyer who told us not to track trends and figure out what’s hot.  Rather, we should figure out our story and speak to the world the things we have to say, because we became writers to tell our own stories.   We have to trust others will love what we love.

The Night Owl event was Shock Theatre 5 with Michael Slade narrating a radio play mash up of classic horror stories, voiced by Jack Whyte, Anne Perry, Diana Gabaldon, Sam Sykes, with folly work by KC Dyer and a special appearance by CC Humphreys.  It was hilariously bad.

Saturday morning J. J. Lee gave an emotional keynote that had the crowd teary eyed and on its feet.  We write magic.

I missed the first session of workshops waiting in line for 70 minutes to see about getting a second agent appointment.  When I finally reached the front of the line it was 11:30 and I had to fly into the room to meet with Diana Gabaldon for my blue pencil.  I was so close to missing my appointment, I nearly had an apoplexy.

Taking Control, Advanced Social Media with Sean Cranbury was interesting.  His focus is essentially the anti-thesis of Carol Tice’s.  He believes in free sharing of information and celebration of the arts of joyful community.  However, he had a lot of good ideas about layout and professional presentation.  These will be reflected in some up coming changes to this blog.

History: Riding the Wave with CC Humphreys.  Poor Chris was feeling quite ill, but he was enthusiastic and had lots of interesting stories to tell about writing and researching A Place Called Armageddon, his latest book.  Chris and I had a mutual Fluevog admiration society going on throughout this conference.

The keynote on Saturday evening was Susanna Kearsley with whom I’d been speaking during the book fair, trying to place ‘where do I know your name.’  She had no suggestions, but when she was called up to do the keynote I had a face palm moment. So embarrassing.

There was a Night Owl movie event, but I was too tired at this stage.  My plan was to go back to my hotel for an early night, but in the end, I sat in the lobby chatting with Val King and Randy McCharles of Calgary instead.

Sunday morning, I was very slow moving.  I was a bit late for the morning key note by Diana Gabaldon who spoke about something moving and amusing, but I’ve completely forgotten the details.

Luckily Ursula recorded it, and here is every word!

.

https://www.youtube.com/watch?v=nhgHPPMuMNs

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I missed the first workshop session standing in line to  book and then having another agent pitch appointment.

My final workshop was Rhythm of the Word by Sam Sykes who showed how prose can be empowered by playing with rhythm in structure and dialogue.

Jack Whyte and me at the 1920s themed Banquet at SIWC2012

The final keynote was by New York agent Donald Maass.  He declared this a time of positive change and growth in publishing, and challenged us to use our words to write works that will CHANGE THE WORLD!

We had something to do every day from about 8:30 a.m. until 10:30 p.m.  Every meal we sat with other writers, agents, publishers, or editors discussing projects, life, and writing.  There were 700 like minded souls sitting down to dine each meal, and just that was completely brilliant.  I loved sitting with new people each day and discovering new things!  It felt like ‘home’ in the most amazing way.  It was wonderful meeting authors I love, getting my photograph taken with JJ Lee, Diana Gabaldon, Anne Perry, and Jack Whyte.  Last time I attended SIWC I was too shy to approach any pros for photos.  It’s fun being able to put up photos in my class room.  Next time, I will take more photos of the people I mix and mingle with, so I’ll have “I knew them when!” photos! 🙂

 

How’d it go at SIWC? October 25, 2012

Filed under: Grace Awakening Myth,OUTLANDERishness,Writing — Shawn L. Bird @ 2:13 am
Tags: , , , ,

Prior to SIWC this year, I kept focusing on the excitement of meeting Diana Gabaldon, and completely ignoring the fact that the MOST IMPORTANT thing at these conferences is pitching to agents and publishers!

Aside from my 15 minutes  of blue pencil time with Diana discussing her suggestions and observations about Grace Beguiling, I did pitch Grace Awakening Myth to two agents: one from New York, and the other from Toronto.  I met with the NY agent on Friday, and the TO agent on Sunday.

After the pitch, both agents quizzed me on various plot elements, character descriptions, conflict development, etc., and both requested the first 50 pages of the manuscript.

One thing I found quite interesting was that the New York agent was intrigued with the story, and offered no opinions with respect to the setting, but the Canadian editor asked me if I’d consider changing the Calgary setting to “an anonymous North American city.”   Isn’t that ironic?  The New York agent didn’t care, but the Toronto one wanted to remove the Canadian element?

At the moment I’m in recovery from my sleep deprivation, but in the next day or two (after my brain recharges), I’ll take another look at the beginning of the manuscript focusing on some of the things I learned in workshops, and on Diana Gabaldon’s observations with respect to the other manuscript (general observations to keep in mind), before I send Myth off to see whether it makes some new friends.

 

filial effort October 24, 2012

I recently met a mother and a son who are both writers.  She has years of experience and several books out in various genres.  He studied writing at university, and has a few novels out.   At one event, I asked him how having a successful author already in the household influenced his own ambitions.  He looked a little irritated at my question, and assured me that his work had nothing to do with anyone else but himself.

I felt a bit sorry for him when he said that, because I recognized a common theme of kids struggling to establish identity and break away from their parents’ influence or expectation by adamantly denying its existence.  It is never going to be a simple thing to follow a parent into the same profession or calling.  Comparisons are inevitable.  It seems to me that recognizing and acknowledging the role his mom played in his success would be a natural sign of maturity as a man and a writer.  He could accept the leg up, and then ride the horse with grace, demonstrating his ability and rights to be there.

I watched interactions over the weekend, to see how he handled himself and whether he demonstrated the independence that he vehemently declared.

He didn’t.

Despite his respectable literary credentials, he is obviously uncomfortable presenting workshops.  He seems like a shy kid forced to present to crowds of people older than him, and that’s not an easy situation.  He mentioned earlier that he had been worried about this particular workshop.  I had wondered if he had the skill and maturity to pull it together or at least fake it successfully.  People are paying money to hear him and learn techniques.  He owed it to the attendees to be prepared with practical information.

I wondered if his mom would attend his workshop.  I confess, I hoped for his sake that she did not.

She did.

He opened with apologies and suggested people go to other workshops because his wasn’t going to be very good.  He admitted to not being ready.  He pulled out his notes, spoke nervously for a few minutes, and then he was stuck.  He had not prepared adequately.  He had some notes, but only about 20 minutes worth.  It’s quite possible to make 20 minutes worth of notes fill an hour, but it takes skill that he didn’t have.  He apologized some more, desperately asking for questions.

His mom watched him fall apart.  She tried to help.  She asked him questions that he should have been able to answer and that would have filled five or ten minutes if he’d picked up on her hints.

He didn’t.

He grumbled at her in typical kid fashion.  The audience laughed, recognizing a familiar family dynamic.

He provided a weak answer, one that was almost contrary to fact.  She couldn’t let that lie.  She had to add, “Don’t you think that…” and then she provided a fascinating and informative few minutes.  He was irritated that his mother was speaking in his workshop and grumbled at her some more. “You are a bad audience member!”

To be fair, for the period of time when he was presenting the information that he had in his notes, he was amusing and informative.  While he was floundering, the audience was forgiving and pleasant with him.   He obviously knows his material, he just didn’t have enough material, or hadn’t figured out how to properly expand it enough or analyze it enough to fill his allotted time.  He looked a lot like he was roasting on a spit.

What I found most interesting, however, was that by-play between mother and son.  It was a clear example of rejecting opportunity.  Being truly independent means you are not afraid to take advantage of the tools at your disposal, even if you hate that your greatest asset is your mom.

I felt sorry for him.  He seemed like a mortified introvert, forced to do something that was painful for him; however, an appearance of confidence and capability is important when people are spending money to learn from you.  You have to make your audience feel like it’s received value.

Sometimes apologies happen at the start of a presentation, then the nerves pass and the presenter gives value.   That didn’t happen in this instance.  I felt sorry for him, and I thought I knew how his mother was feeling: knowing that she could have have helped.  He was determined to fall by himself, and he did.  Such moments are painful for mothers!

I hope he is able to come to terms with his advantages and his skills, while developing the ability to schmooze with the public in order to promote his work independently.

A very tired mother (me)  at the end of SIWC and a confident, capable son who came to visit before she went home.

I got thinking about those mother son relationships.

My own son lives 6 hours away, and we don’t get to see him as often as we’d like.  He is much younger than the young man who was presenting workshops, but he is much older in many ways.  As a teen he went through the stage of believing that being independent meant he had to live far away and refuse help from his parents. He did not achieve many of the goals we had set for him, but he forged his own path.  As a result, he has been completely financially and emotionally independent for several years.  He markets his skills.   He knows how to behave with clients.  He is aware of his appearance and the need to present a professional image, albeit a youthfully hip one. He exudes confident capability, as he schmoozes and charms like a pro, despite his youth.  It takes effort to look as relaxed and stylish as he does.  It takes experience and practice to be confident in himself when teaching skills to others, often older than he is.  I like hearing  that my son acquits himself admirably in those situations.

I kind of wish he’d been presenting workshops.  I think if he’d stepped to the podium, the audience would have been enchanted, entertained, and informed by a confident, thoroughly prepared young man.  No one would have been embarrassed.

But I’m his mother.   I might be biased.

 

magicians’ secrets October 23, 2012

I was driving home last night, listening to my audio book  (A Breath of Snow and Ashes by Diana Gabaldon), and as the story went along I was thinking, “Oh.  There she goes again, neatly fitting in a piece of back story.  That was subtly done!”  The thought must have happened at least a dozen times.

I’m on my 9th re-read (print and audio) of this particular book within this calendar year.  I’ve seen all these lines before.  I knew what she was doing the previous 8 reads, but now, having come out of a workshop  where she discussed this technique and the careful process of fitting in these references to events from earlier books, and having her comments in my blue pencil session fresh in my mind, I can hear her voice echoing along with narrator Davina Porter’s.

It’s like the end of Wizard of Oz, “Pay no attention to that man behind the curtain!”

It makes it harder to read books merely for enjoyment, when you very consciously catch sight of the technique.  I suspect it also makes one pickier as a reader, since you have less tolerance for poorly executed technique.

Hopefully, it makes you a better writer, though.  You grow in knowledge.  Not just intuitive awareness, but conscious knowledge of an executed skill that must be mastered to be an effective writer.

 

suicidal raccoons & automotive carnage October 22, 2012

Filed under: anecdotes — Shawn L. Bird @ 11:51 am
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After a blissful and inspiring weekend at the Surrey International Writing Conference, I was driving home, listening to Davina Porter narrating the audio book of A Breath of Snow and Ashes, breaking into giggles every once in a while recalling conversations or events at the conference, pondering a workshop I thought I should propose for next year’s conference, and generally minding my own business on the highway, when out of the blue a suicidal raccoon strolled onto Highway #1 directly in front of Sheila the Bug.

I hit the brakes.  He hit his brakes. He stared me down.  Sheila the Bug had been coasting along at 90 km/hr.  If Ranger Rick had decided to keep moving, either forward or back, he would have been fine, but his death wish was strong.

If I’d swirved at that speed and distance I would have rolled Sheila, and I was on a mountain with a long cliff to the lake below me.

Ranger Rick was going to die.

He hit Sheila the Bug. There was a loud thump of collision, and several smaller thunks and bumps as he travelled beneath the car.  I sighed regretfully.  I have never hit a creature before, beyond birds which flew into me.  I was imagining the carnage beneath my vehicle: blood, guts, fur.

Suddenly my temperature gauge light came on, then it started flashing madly.  I was entering a small town 30 mins from home.  I pulled into the empty mall, parked beneath a light and looked beneath.

There was no raccoon carnage whatsoever.

Instead, there was automotive carnage.  The bumper was smashed in half, something black and important looking was missing on one side, the radiator had a dint in it.  Pale, glistening autoblood was streaming from radiator.

Damn raccoon.

I phoned my knight in shining armour, and he rode up on his trusty Honda steed and rescued me, tow truck following behind.  When I called ICBC to report the damage, the operator said, “Wow.  That must have been a huge raccoon!”

I have to say, I was stunned at the revenge extracted by that striped bandit.  Not content to kill himself, he had to take out poor Sheila!

Sheila the Bug will be in the car hospital for quite some time.  No doubt Ranger Rick is lying in wait for the next unsuspecting VW Beetle!

Plainly, I should just have stayed in Surrey with all those wonderful writerly people.

 

Diana Gabaldon said to me… October 20, 2012

The green shoulder is mine. I’m cropped out because I look like a troll in this shot! lol Diana does not seem to be able to take a bad photo! Check out her funky turquoise nails!

Today I had a blue pencil appointment with Diana Gabaldon at the Surrey International Writers’ Conference.  A blue pencil is 15 minutes of time in front of a professional author, who reads a very short selection of your work, and provides some general feedback.

I knew I’d be completely starstruck, so I asked her a month ago via Facebook if it’d be okay if I recorded the conversation, and she was fine with that.

I arrived into the empty seat in front of her desk in a flurry because I’d been in a line and lost track of the time, so I was nearly late for my appointment (and we’re not going to even discuss what a trauma that would have been after counting down, sometimes by the hour, for 135 days!).  I pulled out my scene, which is a very early, poorly cobbled together start to Grace Beguiling, which is/will be a historical/fantasy novel set in 14th century France.  The scene is 6 pages, which is way too long for a blue pencil, so I’d highlighted parts I particularly wanted her feedback on.  She just smiled, said that she was a fast reader, and zipped through the whole thing, laughing out loud in places, and making corrections of typos.  It is very cool to have your favourite author laughing out loud while reading your writing.  It’s a little embarrassing to have your favourite author correcting your typos.

When she was finished reading, I turned my iPhone’s memo recorder on and recorded her observations, suggestions, and reminders.

The part I most wanted to know about (and had spent months researching) she dismissed with a wave as, “Fine.”  We had some discussion about language choice in historical work and development and structuring of a ‘very beginning’ where there needs to be some action to grab the reader and the story must be established right away.  I am so glad I have that recording to remind me of my focus.  Grace Beguiling offers a number of stylistic challenges, and she’s helped me think about how I’m going to solve them.  There was nothing earth shattering, just common sense reiteration of basic principles.  It’s good to hear those words from someone whose knowledge you trust implicitly.  “Remember that…”  Oh right.  I know that.

Do it.

I wish the piece I’d brought wasn’t quite so rough, but it was a worthwhile endeavour.  One quote is going to be artistically rendered and put above my writing desk.

My favourite author, Diana Gabaldon said to me, “You know how to tell a story.”  That will keep me inspired for a very long time.

 

first draft is dating, revision is marriage October 19, 2012

Filed under: Writing — Shawn L. Bird @ 7:42 am
Tags: , , ,

I have a package of buttons for workshops.  The buttons say, “First drafts don’t have to be perfect, they just have to be written.”  There is a blush of first love when writing a first draft.  Every day is an adventure.  When it’s done, and it’s time for the re-write, that’s like marriage.  Work! 🙂  Eventually, with time and effort, something wonderful can emerge, but the romance is only the beginning.  The really great part comes from being committed to the effort of learning and growing, exploring and pulling out fascinating truths, but it’s pretty wonderful.

 

happiness is meeting your favourite author! October 18, 2012

Diana Gabaldon  and I at the Strawberry Hill Chapters in Surrey:  a gala fund raiser for the Surrey International Writers’ Conference.  This was a nice opportunity to chat a bit with her, as I visited with all of the other authors, waiting until the crowds were gone to speak to her.  Since we’ve been corresponding for a few months, she knew who I was and was very welcoming.

Now to get a good night’s sleep before falling off the deep end into the conference!

PS.  You can’t see them, but there are new Fluevogs on my feet after a pilgrimage to the Gastown Fluevog HQ… 🙂  (It’s been a very happy day celebrating my addictions).

PS2.  I didn’t even hyper-ventilate when I met her, although coming home  I wondered if I was having a heart attack.  After determining I simply did not have TIME to fit in a heart attack this weekend, I decided it was the Thai chicken wrap I had for dinner. 🙂

PS3. This trip was partially to help me prepare psychologically for my Blue Pencil session two days later.  You might be interested in reading the post Diana Gabaldon Said To Me as well

PS4. I was also amused to meet Diana’s son Sam Sykes, who wasn’t an official author at this event.  He’s amusing.

 

 

hyper-ventilating October 16, 2012

I have met some ‘famous’ people over the years, and while I may be in awe of their talent, they generally turn out to be people pretty much like me. I know that. But at the moment, it’s rather difficult to BELIEVE it.

As you’ve noticed if you’ve read this blog for any time, I love Diana Gabaldon’s Outlander series, and I am amazed by her talent and her generosity to her fans and other writers. I have posted questions on her Facebook page and on the Compuserve Writers’ Forum, and she has provided helpful (and sometimes lengthy) responses.

For these reasons, I am hyperventilating as this week ticks by, because in less than 48 hours I will be meeting Diana Gabaldon (and J. J. Lee, Jack Whyte, Mary Balogh, Anne Perry and Michael Slade, not to name drop or anything) 🙂 at a fund raiser for the Surrey Writers’ Conference, and on Saturday I have the honour of sharing the scene that Diana had helped me with in a 15 minute blue pencil appointment at the conference.  I am nervous, excited, and slightly terrified of making a fool of myself.

My son said, “Just don’t be a fan, Mom. Be professional.”

Yeah. Easier said than done, kid!