Shawn L. Bird

Original poetry, commentary, and fiction. All copyrights reserved.

Young love February 2, 2012

Filed under: Alpha-biography,Pondering,Writing — Shawn L. Bird @ 1:44 pm
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This is the second entry in a  section called an “Alpha-biography.”  The exercise is to work through the alphabet, commenting on a word that connects somehow to your world.  My students are doing this in English 9 this semester, and I am modelling it by creating my own alpha-biography.  For myself, I will be focusing on how I am interpreting, synthesizing and contemplating the Greek/Roman gods as I’ve been exploring them in the process of crafting the Grace Awakening series.  (I’m working backwards, so that in the blog they’ll eventually appear A-Z instead of Z-A, as they end up ordered by time).

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Young Love:

Sometimes I feel like young love coloured my entire world. I am not alone. I speak to a lot of women who are very nostalgic about the first person to whom they opened their heart. Some had negative experiences, I suppose, but I seem to meet a lot of people whose first love set them on a course of self-respect and happiness. I hope that means the negative experiences are fewer than the positive ones. Perhaps it’s just that with the span of years, one begins to find the positives, even if they hadn’t been noted previously?

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I think a good young love is one that remains a fond memory throughout your life. If you take the issues and troubles, and learn from them, future relationships can be stronger.  It can become a fuel for creative endeavours, like perhaps a novel series…

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Nostalgia can be a snare though, and if you build up a young love into impossible heights, a current love that must be worked around children, mortgage and bills, can seem as if it can’t measure up. Sometimes we idealize romance from the time when we didn’t have responsibilities, and forget that maturity requires change.

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There is nothing like the intensity of a new love, young or old. Awakening passions make everyone young when they’re first in love.  I remember giggling phone calls from a senior lady, a widow, soon after she accepted a marriage proposal.  Her giddy joy was no less than the girls in the college dorm.  Love is a happy thing, whenever it occurs, but the small space in our hearts that is occupied by that first love remains through the years, forever young and precious.

 

7 keys January 26, 2012

Filed under: Commentary,Writing — Shawn L. Bird @ 12:56 am
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Charlotte Boyett-Compo, author of the Wind Legends series among other things, (www.windlegends.org) shared this brilliant bit of extended metaphor about publishing at Linked In the other day:

There is a round brass ring. From that ring are dangling Seven Keys.

All Seven Keys are needed to spring the Publishing Lock.

The keys diminish in size from Key One to Key Seven.

The largest key is Key One and it is named Desire.

Key Two is Determination.

Key Three is Perseverance.

Key Four is Endurance.

Key Five is Patience.

Key Six is Luck.

Key Seven is Talent.

If you use all seven Keys and the lock refuses to open, one of those seven Keys simply isn’t strong enough to make things tumble into place for you. Perhaps the Key to your future lies on another brass ring.

That’s quite profound, isn’t it?  Even with my limited experience here at the beginning of the journey I know there is a lot of truth here!  It is hard work to get your work out there.  Big or small, the publisher requires authors to be skilled in story and active in the promotion and marketing of their work.  Every writer has to develop his/her talent and keep plugging away at the craft in order to have any success at all.  It’s a hard reality I think.  Sometimes you have the luck, and sometimes you don’t.  Sometimes you just don’t have the ability to stick it out.  Sometimes you don’t have that special spark of talent that makes your work worth the effort.

 

Kharon drops in January 24, 2012

Further to my determination to squeeze out some writing or die trying, I thought I’d share the day’s efforts on Grace Awakening Myth (Book 3 of 4 in the Grace Awakening series).  It’s a first draft, remember.  To be honest, there are already some changes, but you’ll get the idea.  This is 1230 words.  My goal is about 1200 a day, (5 pages) or 6000 words (25 pages) a week.  That was the pace for the first 2 books in the series. 

As I sat down to write, the image in my head was of blackness.  I wrote about that while wondering exactly why it was so black, and then Kharon walked in… 

Truly, I just take dictation.  The story is just floating out there, waiting for me to listen to it.  Ben is narrating.

It’s a black night, Stygian black, as they say. That’s very black. The River Styx drifts, black as crude oil, roiling and burbling with the murmuring sibilance of thousands upon thousands of lost voices. Its thick waters seem to suck the light from the sky, and leave all around it in an inky grey wash. Kharon the boatman floats along on his ferry, pole in hand, pushing it away from the banks, gathering the departing souls and taking them safely to Hades, for the price of a coin, of course. He shows up at the stops to collect what Hermes has dropped off: the confused half-shadows, some still not quite aware that they are ghosts, reclaimed from new graves. The shades dazedly cough up their coin, and they load into the ferry as Hermes waves to them heartily and wishes them luck on the next part of their journey like some jolly tour guide. Hermes can be quite an ass. The vacuous faces hardly stir in response, though. Those without a coin are on their own to get across the Styx. If you’re on your own, you’re not going to make it across. Simple.

I shivered at the memory of that blackness and the descent into the sucking void of the underworld. This was earth though, and not the underworld. This was Grace, not Eurydice. It was a Stygian black night, though, and the oppressive gloom was creeping into my gut.

“Hey, there. Ben is it?” The low voice held a faint glimmer of amusement.

“Hello Kharon.” I nodded courteously, recognising him at once. Had my thoughts summoned him? Or was this dismal atmosphere a result of his presence? “What brings you here? You’re a little far from the river.”
“Not so far. A guy needs a bit of a break from water now and then, after all. The river flows where it needs to. It’s near enough that I can step ashore for a moment.” He looked around with interest. “I thought I’d come have a chat with you.”

“With me?” My heart stopped for a moment. “I’m honoured, of course,” I said with a polite incline of my head, “but…uh…why?”

He smiled. His long nose and slightly blue tinged skin made it a rather eerie expression. Though it was probably meant to be reassuring, it made him look a trifle morose. It didn’t lighten the mood, at any rate.

I waited while he stood ponderously thinking. His thoughts seemed to move like he was punting through them with the stick he used on the ferry. They moved slowly and methodically in one direction. Patiently was the only way to communicate with Kharon. He would not be rushed.

Finally he said, “It’s about the girl.”

I took a deep breath. “Which girl? Grace?”

He shook his head. “No. The other one.”

“Other one?”

“From before. You know. The snake bit her, and you went to Hades to try to get her out? You snuck by the dog with some singing and got everyone down there all in a mush of sentimentality with your music, and they let you take her. But something happened and she had to stay, after all.”

“I looked back.” I whispered, suddenly cold.

“Ah.” Kharon nodded sagely. “Oh right. Looking back can cause a lot of problems for a person, can’t it?”

“Apparently.” I tried to bite back the sarcastic tone in response to his unintentional understatement.

“Yeah. Well. She was at the river bank the other day when I went by, and she asked me to give you a message.”

I swallowed. Then swallowed again. My mouth was the Sahara all of a sudden. I croaked, “She asked you…to give me a message.” She had never tried to communicate with me before. Why did she need to send a message now? What did she know?

He nodded in confirmation at my dazed expression, then after making sure that I was paying attention he looked up, as if trying to recall her exact words. He cleared his throat and intoned, “She said, ‘If you have a chance to see my love, when you’re above. Tell him that the song has many verses, some rich with hate and curses, but that he deserves whatever joy, that girl can give a boy.’”

“She rhymed it?”

He shrugged. “I think she thought it’d help me remember.”

“Oh.”

“I think she misses you,” he added. “She looked sad.”

“She’s been in the underworld for a couple of thousand years. Of course she’s sad.”

Kharon shrugged again. “Not everyone is. They get used to it. Everyone has to be there eventually after all.”

“I suppose.” It hurt to think about Eurydice. It hurt to remember that my failure doomed her to that two thousand years in the underworld. She wouldn’t have been there if I hadn’t been inept. My failure. Mine. It wasn’t Kharon’s fault. “Thanks for passing along the message.”

He nodded. “I think she was afraid Hermes wouldn’t deliver it and Iris doesn’t have reception there.”

“Oh yes. Of course not. I appreciate you taking the effort.”

He stood waiting for something, with a studied nonchalance.

“Oh, wait.” I rummaged in my pockets and studied the coins. “I don’t have anything ancient. Will a twonie do?”

He eyed the polar bear on the two dollar coin dubiously. “A little on the cheap side, but whatever. Next time we meet in the Other Realm, you can top it up.” His mouth twitched in something that might have been a good-humoured smirk, but might not.

I chose to interpret it positively. “Thank you, Kharon.”

He started to stroll off with that particular, unsteady gait of sailors walking on land, and then looked back over his shoulder, “You take good care of that new girl, you hear? Don’t let looking back blind you to the possibilities ahead of you. What you’ve done before doesn’t have to bind your future.”

His words hit me like an arrow and I reverberated for a moment from the impact. When I went to answer him, he’d disappeared. With him went to ominous atmosphere of blackness, and I was able to take a deep breath again. The fresh air oxygenated my lungs and cleared my head, but his message sat heavily on my heart.

I thought of Eurydice from time to time, of course. If I was being honest with myself, it was her that made me most anxious about Grace. Eurydice was my first and greatest failure. My first love, my first wife, symbolized such an essential lack in my character that any thought of her ensured my elemental humility, despite the loud accolades about my brilliant talent. Such bone deep awareness of inadequacy is not overcome. Ever.

It is also why I am afraid that I won’t be able to protect Grace this time.

I’ll tell you a secret. I’m pretty sure that it is also why they appointed me her guardian. They don’t expect me to succeed. They think that it will appear they’re giving her a guard, when I’m actually so useless that she is doomed.
I know it.

I know it, and despite being overwhelmed with the awareness of my own inadequacies I am so damned full of pride that I’ll risk it anyway, rather than let Mars or Alexandros have the job. What kind of fool’s paradox is that?

Mine.

 

writing and real life January 23, 2012

Arg.

You know, I had a rather easy teaching load first semester, and I thought, “Wow.  There will be so much time to write!” and I didn’t.  I had hoped to finish book 3, and maybe get a good start on book 4 in the Grace Awakening series, but it didn’t happen.

I completely blame Diana Gabaldon for this.

I was making good progress until Outlander came into the electronic library for me in October.  Then I had to read every other book in the series.   Have you seen this series?  The first book is over 800 pages, and it’s the shortest one.  Four of the seven books are well over a thousand pages.  Like 400 pages over.   The books were so good that I read every one of the books twice on my e-reader before they expired from the library, and then I went out and started buying the audio books to listen to while I knitted, sewed, cooked, or cleaned (okay, not so often while I cleaned, but only because I don’t do that very often).  Then I had to find and read all Gabaldon’s Lord John books.  Just because.  Between reading and working and the other stuff- like making a traditional 8 yard kilt…  I wasn’t getting much writing done.  Much?  Read ‘practically none.’

I was listening to the Diana Gabaldon podcast the other day (yes, it’s all gotten quite obsessive, I recognise) and this comment struck me:

I write every day. If you don’t write for a day or two, the inertia builds up on you and it’s hard to start again.  (Diana Gabaldon podcast Episode 3: The “Kernel Process”)

Plainly, that is precisely my experience.  I wrote the first two books in 6 months, writing 5 pages a day, or 25 pages a week, while I was working full-time and president of my Rotary club.  Two years of editing those, and starting the research on the next series, and then Outlander brought me to a grinding halt.    Gabaldon reminded me that it was time to find the hour a day that would break the deadlock and get me in the swing of working on the novel(s).

In the last week, I’ve been making a concerted effort to at least read through the previous work, edit here and there, add a scene, etc.  It’s not a lot, but it’s getting into the habit of spending time with Grace and Ben again, which is the important thing.

Diana Gabaldon is very active on the internet.  She interacts with her fans, she travels, she has family commitments, and yet she is writing every day.  I was reading a section of The Outlandish Companion yesterday that particularly hit me.  She describes her day (December 15, 1995), in amusing detail.  Since I had already read the completed scene in situ, it was very interesting to read the process of its development.  She writes like I do on too little sleep, images come in, she asks questions, and the story evolves.  At the end of that particular day, she was 1700  words short of her 2000 word goal, but she had several threads developing in her mind and she had 300 words more than nothing.  As I read how she wove her writing into her day I decided I need to be far more disciplined if I’m ever going to get Awakening Myth finished for this spring.

Next week the new semester begins, and I’m full-time again.  Guess what?  I bet I’ll find more time than I’ve been able to find for the last five months.  I’ll be squeezing it in between other tasks with intention.  I’ll probably have to cut back on the knitting, but since I have made 3 sweaters, 5 scarves and 5 pairs of socks already, that shouldn’t be too much of a sacrifice.  We’ll see.

PS.  If you want to read about Diana’s day some 16 years ago, it’s here.  If you have The Outlandish Companion, it’s on page 453.

PS2.  Didn’t I say in yesterday’s blog that the student is responsible for learning, and the teacher can only inspire?  Thanks for the lesson, Diana.  I guess it’s my own fault your great books completely distracted me from my responsibilities. I get it.

 

truth and memory December 27, 2011

Filed under: Grace Awakening,Mythology,Writing — Shawn L. Bird @ 12:40 am
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One of the values of learning another language, is the enlightenment it provides to your own language.  I have links to an article about this in a previous blog post.

While I’ve been working with Mnemosyne and Lethe this week, I’ve discovered an interesting thing.

In English, the opposite of memory is forgetfulness.  In Greek lethe (forgetfulness) is opposed with aletheia (prefix ‘a-‘ making some thing the opposite, remember). Aletheia doesn’t mean memory, it means truth.

I find that very profound.  It’s not the concept of a lie that is the opposite of truth in Greek, it’s forgetfulness.

It begs pondering.

I think I can do something with the concept

.  I’m not sure what, at this point, but it fits with Ben’s reality, doesn’t it?  Lethe has robbed Grace of memory, and it keeps her from knowing the truth.

I suppose this means I’m about to be introduced to the goddess Aletheia.  I wonder what she’ll be like?   Writing is fascinating business.

 

Mnemosyne & Ben December 26, 2011

Filed under: Grace Awakening,Mythology,Writing — Shawn L. Bird @ 2:59 pm
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Here is a snippet of ‘something yet to be.’ I think it will end up in Grace Awakening Myth, but it will tell me for certain in its own time. The author has very little say in these matters.  Characters have their own agendas.   Lethe is the river of forgetfulness from which humans drink before they pass into the underworld. The personification of the river is the goddess Lethe herself.  ‘She’  is Mnemosyne, goddess of memory.  ‘He’ is… uh…well.  Ben.  Sort of.

**************

She remembers all, of course. She must. It is her talent and her obligation. It is her blessing and her curse. Everything is in balance, an essential paradox poised on the point of a pin.

He doesn’t remember everything.  Whatever he sees in those longing backward glances, Mnemosyne knows the two sided blade. She has gifted him with the joy of them, but she has blessed him with Lethe’s touch as well. Of course, he has no memory of that.

He senses the tragedies though, despite the lack of memory.  He feels the ephemeral pain of loss, rejection, disdain and disgust.  He clings to the fear of them, to fuel his pursuit, but they threaten to overwhelm him at times.  It was doing so now.  She could feel the force of her presence stirring memories in him.

A faint hum stirred the air along with a cool, gentle scent.  Mnemosyne reached behind her to a goblet that had materialized there.  She touched his shoulder, “Here, son.  Drink.”

He smiled vaguely, sipping down the draught.  He nodded gratefully, and she felt the tension leave him  as he gazed beyond the room.  “I must go.”

She nodded.  “I will do what I can from here.”

“Thank you.”

As he turned into the ether, she smiled to herself.  “Thank you, Lethe,” she said to the empty room, and heard the distant  melodious chuckle in response.

Paradox indeed.

 

slow December 24, 2011

What I’ve learned about the publishing industry:

It’s slow.

Everything about it moves like a comatose tortoise. True, like the tortoise, sure and steady gets there eventually, but it can be ridiculously frustrating watching from the sidelines.

If an agent or publisher says they’ll get back to you in a week, s/he means a month. If they say it’ll be a month, expect to hear around four months later. Four seems to be the number to multiply by.

Ironically, I was also told that from completion of novel to publication the average book takes 4.5 years. Coincidence?

Is patience a virtue?

Perhaps. Electronic publishing speeds up many aspects of the process, but the most important one, the editing and proof-reading will still take just as long as ever.

I’m counting the days until Grace Awakening Power gets back from the editor, I can make the required changes, and it can be released by Lintusen to the world!  I was expecting it initially in November, four months after it went to the editor.  If my multiplication scenario holds, I will see it in 16 months, or perhaps 4 months after November, which puts arrival in March.

Patience.

The watch-word for the author waiting for a book.

It’s a slow process.

 

reminding yourself of who you are November 25, 2011

Filed under: Commentary,Reading,Writing — Shawn L. Bird @ 2:13 pm
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“You can spend a bit of yourself when you give yourself to a character. At the end of a job, you have to remind yourself who and what you are.”

Richard Armitage.

When I’ve been involved in musical productions, it’s always been depressing the first day after the show closes to find yourself again. Those with romantic roles tend to find themselves a little in love with their show paramour for awhile. The rest of the cast tends to wander about dazedly wondering what they’re going to do to fill their days now.

I’ve written previously about this feeling when emerging out of a particularly in depth literary immersion.  I think this is true when you are a writer, as well. When you are wrapped up tightly in your in your alternate world, it can be a difficult transition to return to the mundane realities.

What power has the imagination to fuel such alternate visions, and to put them all into our heads.  We carry our own ‘holodecks’ of possibility.  We can create our own world of romance, joy, and comedy.  We can create our own horror drama.  How important it is to make the best choice, to make our lives the best we can imagine them to be!  If reality doesn’t suit, we can imagine a better life.

 

falling through holes in history November 7, 2011

Filed under: OUTLANDERishness,Reading,Writing — Shawn L. Bird @ 8:33 pm
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Well, novelists are a conscienceless lot. Those of us who deal with history tend to be fairly respectful of such facts as are recorded (always bearing in mind the proviso that just because it’s in print, it isn’t necessarily true). But give us a hole to slide through, an omission in the historic record, one of those mysterious lacunae that occur in even the best documented life…

 (Diana Gabaldon in the Author’s Notes of An Echo in the Bone  p. 1103-4)

I have taken a break from working on Grace Beguiling in order to focus on Grace Awakening Myth, but when I read this remark in the notes, it made me laugh.  I have enjoyed hunting through historical records, and finding just enough holes to fall through.  Those hollows are the where the most interesting parts of the story breathe their own lives.  I am looking forward to getting back to the 14th century and exploring  beguilement.

I have to make it through the myth first, though.

 

Fictional voices October 26, 2011

Filed under: Poetry,Reading,Writing — Shawn L. Bird @ 11:02 am
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Fictional voices

I understand the call of the other world
The voices beckoning
“Stay!”
Sometimes it’s hard to leave them,
To return to a world of responsibility
Of real hurt
Of real anguish
Of real love.
The world between the pages
Invades dreams
Fills days,
Creates a longing
That is only fulfilled
By words.

26.10.2011