The layers
speak of neglect
and distraction,
of time passing.
Traces of us
settle on ledges
and I am loath
to find a cloth
and wipe us off.
Grade eight.
Horror.
Mother is her substitute teacher today.
“Do not
acknowledge
that you know me!” she hissed.
But when her name was called for
attendance, and teacher-mother
looked around for
whichever student would raise her hand,
she glowered,
unhappy
with anonymity.
He relies on the strength
of her heart strings.
She winds them around him
to hold him together
when he might rattle apart
in the shaking, quaking times.
When she is weak and broken,
when she can not stretch her arms,
wide enough
to wrap heart strings around him,
he trembles and crumbles
apart.
When she is weak and broken,
he does not consider
that he could pretend
to be strong.
He could hold her heart strings,
and spin into her.
“A man like Matthew never frees himself of the shadows completely, but perhaps it is necessary to embrace the darkness in order to love him.”
~Deb Harkness in Shadow of Night
.
.
He thinks that he is so hard to love
he polishes his prickles
scours his scowls
brushes those glowering brows
as if this gruff front will keep his heart whole,
and impervious to the heat of a warm embrace.
But she wears fireproof gloves,
confronts him with frankness,
and forces him to face his fears.
She wraps his arms around her and
shows him his image in the mirror of her love.
This pain is a discordant symphony.
Percussion throbs a bass in the bone.
Piccolo dances of sensation up and down the leg.
Trumpet blasts explode out from the ankle.
Bassoon wails all along the incision site.
Kettle drum beats defiantly deep in the ankle bone. Dum. Dum. Dum.
Oboe whines a strident screech, vibrating muscle.
Cello squeezes, squeezes, squeezes low notes of agony.
Oh pain, go away; return my body to harmony.