Here’s a video interview that I participated in recently with Coffin Hop Press and author Timothy Friend.
Corrections:
- Grace Awakening isn’t 155 pages, it’s 155,000 words!
- The publisher at Gumboot wasn’t Christina, it was CRYSTAL Stranaghan!
Here’s a video interview that I participated in recently with Coffin Hop Press and author Timothy Friend.
Corrections:
I was recently interviewed by David from the TOO FULL TO WRITE blog. Check it out!
“Writers are different,” said Waldegrave. “I’ve never met one who was any good who wasn’t screwy.”
~Robert Galbraith (aka J. K. Rowling) in The Silkworm.
Uh oh!
You can
so
you do.
Time.
Faith.
Encouragement.
You give yourself
in generous helpings,
spinning your blessings
into our blessings
into your blessings
into our blessings.
Oh, I am grateful
for such a
giving
heart!
I’m deliriously thankful
to be
amid
this dancing, scribing circle
of joy.
.
.
Another one for Diana, whose generousity of time and spirit are an inspiration.
Early in my publishing life, editor Sylvia Taylor spoke at a workshop about the importance of community: how as writers we reach up for guidance and assistance and we reach down to share benefit of our experience. I have seen many examples of this in the last decade, to my privilege and joy. Just this week, on one hand I purchased the book from a writer I’d encouraged at a conference, when this book was a dream, and on the other hand, I received an endorsement for my new book from a best-selling author. It’s a giant circle of support. We’re each other’s readers, promoters, flag wavers, editors, and shoulders to cry on. If you’re a writer, don’t sit alone, join a circle! You belong where people *really* understand about the voices in your head! 🙂 I highly endorse writing conferences as being the places to meet.
-Archbishop Desmond Tutu in The Book of Joy.
Speaking of how the Dalai Lama can fill a stadium of people to hear him speak, Desmond Tutu observed,
(in The Book of Joy.)
When I read really great writing, I sense the ‘something’ that takes it from good to phenomenal. I was recently judging poetry, for example, and for most pieces, it was easy to set them aside as pretty words to something worth a second look. Others grabbed me and were set in the possible winner pile. My co-judges ended up with piles that included the same pieces. They were special.
I just spent the weekend at the Word on the Lake Writers’ Festival in Salmon Arm. I have reached the place in my writing where I have many skills. I am shortlisted for many competitions. But I often feel that ‘something’ is missing, and judges must too, since I have never won a first. What is it? This is the year I’ve been specifically searching for the answer. Through the course of the weekend, I found a familiar refrain through many workshops. The universe was answering my question.
It’s about intention.
We need to know WHY we’re telling the story. We need to know the audience and we need to know why we’re telling the story to THAT person (different things, possibly). Knowing these things puts a point of focus on the work that can elevate its power.
So I have this newfound knowledge in my pocket, and the next day, Desmond Tutu tells me this. It’s the spirit behind the word. What is that if not intention? I think personality is spirit, but fundamentally, it’s about intention. The Dalai Lama’s intention is spreading peace, love, and acceptance. It’s the spirit of the words he speaks, and the truth behind his intention resonates deeply within those who hear him. I’m not sure, precisely, how to do this, but I am fairly certain that like dealing with addiction, acknowledging it is the first step.
When the universe has a message for you, it can get quite insistent.
Well then.
Let’s begin.
One of the most popular posts on my blog, still getting regular visits after several years is Vocabulary Lessons with Diana Gabaldon, which is a list of new words I discovered while reading Diana’s Outlander series. When I began reading Kerry Greenwood’s Phryne Fisher books, I was finding all sorts of interesting words, but it was only after reading a dozen of the books that I finally managed to annotate vocab from one. Better late than never?
The Phryne Fisher mystery series is set in 1920’s Australia, so some of the words and phrases are regional or archaic slang. They’re still entertaining! A note of interest- The Phryne Fisher books are published by Poisoned Pen Press- out of Phoenix. I’ve visited The Poisoned Pen Bookstore, which is Diana Gabaldon’s local independent bookstore, as she lives nearby.
VOCABULARY FROM DEATH BY WATER (2005)
These are words or phrases which are either new to me, or used in a new way. I pulled the definitions off the first site Google took me to, usually their own definition box.
ANODYNE: “At this early hours the musical entertainment consisted of Mavis at the piano, playing anodyne pieces designed not to offend.” P. 74
BORACIC LOTION: “ The boracic lotion had worked. The inflammation had gone down.” P. 149
BORONIA: “I always did like boronia.” P. 185
COCK-A-HOOP: “That policeman was cock-a-hoop,” p. 205
CONSTRUE: “Phryne gathered up her Chaucer and her glass of gin and tonic and began to construe.” P. 97
I know this word as something like ‘interpreted’ but that is obviously not how it’s used here. Either of these definitions could work.
DEPENDING: “Phryne caught the eye. So did the sapphire, depending from its carefully securable collar.” P. 68 Phryne Fisher wore dark blue and a collar of sapphires, with the great stone depending to her porcelain bosom, which drew Mr. Forrester’s eyes.” P. 194
EMBONPOINT: “Like many from poor hungry beginnings, she has considerable embonpoint and the temperament almost expected of opera singers.” P. 40
(This was not at all what I was expecting the word to mean!)
EXOGAMOUS: “’Because I bet the Maori are exogamous,” said Phryne, who had not waster her time since she left school. ‘Therefore fathers always come from outside the mother’s tribe.’” P 77
GALANTINE: “I thought keas were parrots,’ said Phryne, dissecting a delicious slice off her veal and chicken galantine and spearing it on a piece of cucumber.’” P. 107
GAS AND GAITERS: “Mind, tomorrow there might be some sore heads, but tonight all was gas and gaiters. P. 170
GOANNA: “It was heralded by a strong smell of goanna oil liniment.” P. 13
JAZZ COLOURS: “It was figured with Pierrot and Columbine in jazz colours of black, white and purple.” P.44
Several Phryne novels refer to “jazz colours” and I always wondered what they were. In this novel, she spells it out at last!
LIANAS: The trees soared up out of sight, yards in diameter and hung with lianas and vines.” P. 114
MILLAIS POSE: “There was a silence while a newly renovated doctor stared at Phryne
Fisher in her blue suit, her hands folded in her lap in that Millais pose, her eyes as sharp as emeralds.” P. 188
MISS SAYERS- There’s a question of whether a character prefers Miss Christie or Miss Sayer.”
MORASS: “’Boy’s probably knee deep in a morass by now,’ said Mr. Aubrey.” P. 128
MOROCAIN: “Left alone, Dot stroked her bedspread, which was of rose patterned satin, and then sat down on Phryne’s bed, which was very springy and covered with dark blue morocain.” P. 11
POEM: “Professor Applegate, wearing her other Molyneus evening gown, a slightly frayed poem in black cherry brocade, smiled.” P. 149
POULET Á LA REINE: “They’re a bit tight lipped about their methods,’ said the professor, beginning on her poulet à la reine.” P. 140
PRE-PRANDIAL: “‘Call for a small pre-prandial nip’ Phryne said, still laughing.’Gin for me.’” P 67
PUSSY’S BOW: “I reckon I’m about filled up with tea to pussy’s bow,” said Minton. P. 181
REALISE: Mrs. Singer had decided to go home to Melbourne, realise Mr. Singer’s estate and buy a small house.” P. 219
RECCE: “’A little recce,’ said Phryne and , taking Caroline by the arm, led her out and shut the door.” P. 87
RETAILING: Mr. Forrester, who had palmed Mrs. West off on an unoccupied officer, was telling stories of Paris and artist’s models, and Phryne was retailing how she had once found herself entirely naked and freezing, the only blanket in the atelier being used to cover the artist’s pet wolfhound, and decided at that point that being a model was not as glamorous as she had been led to believe.” P. 202-3
SENTENTIOUSLY: “’Handsome is as handsome does,’ said Phryne sententiously.” P 51
SHIKARS: “’I’ve been on a lot of shikars in my time, young man,’ he added to Jack Mason.” P. 106
SPIFFLICATE: “Needs to go and spifflicate himself on some cold rock.” P. 152
SYBARITES: “It was too early for the real sybarites who never breakfasted but arose in good time for lunch.” P. 45
TANIWANA: “Some of the stokers said she was an evil taniwhara.” P. 52
Transcribed from my notes at Surrey International Writing Conference last weekend.. While I was sitting in the front row, I wasn’t typing, so he was speaking faster than I could record. This is what I got. Others may have something different!
Donald Maass keynote SiWC luncheon. Sunday, October 23, 2016
We live in a very angry age. Everyone wants you to listen to their complaint and live as they do.
SiWC is our place of positivity. Our tribe. We want to live here all the time, but it ends.
So as SiWC 2016 comes to an end, how will we survive the year until SiWC 2017?
We will write.
We will schedule writing time, give ourselves daily word count or time goals, put Xs on a calendar, work with a critique group so we have deadlines, read books on writing.
(Check his blog Writer Unboxed for ideas).
Why do we write?
Orwell says it’s for hubris, aesthetics, a historical impulse, or to lead the way.
Susan Orlean says it’s to learn about the world
American Christian Fiction Writers say it’s to answer your own questions
Jodi Picoult says it’s to puzzle out the questions she doesn’t understand.
Exercise: For a minute free write why YOU write. (Everyone writes)
Take that ^ exercise and make it visible, remind yourself daily why you do what you do. Don’t worry about publishing. Just sit down every day and write what you need to write.
When we write we connect to others. When we read, others’ experiences become our own and we are no longer alone.
We are passionate about writing- we’re excited about conveying truth
Matter in motion creates energy. Writing what matters creates energy.
Life disappears in a moment. There might not be a chance beyond the writing session today. Write your best truth in the best way possible. Today.
#ThisDayWeWrite

(Donald at the podium, me directly in front of him with the long white and purple hair)
Writing is done in the time we make, not the time we find.
~Amy Sue Nathan
(Writer’s Workbook, Writer’s Digest. 2016)
.
I teach my students that writing isn’t about inspiration, it’s about sitting down and doing. I often have no idea what I’m going to put on a page until I sit down with the intent to get 500 words today, or whatever. Then I’ll hear the voice of a character, tune in, and record the conversation. Identifying even snippets of time to focus on writing makes a difference. Sometimes those are otherwise lost moments, that become significant because of the writing that happened in those moments.
What do you think? Do you find time or make time for your writing?