Shawn L. Bird

Original poetry, commentary, and fiction. All copyrights reserved.

Seriously, Cornelia? March 8, 2011

Filed under: Literature — Shawn L. Bird @ 12:31 am
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Sometimes when you’re reading away, the characters do something so absolutely stupid you just have to shut  the book.  The hard snap can give a little of the satisfaction of a smack upside the head.

I had this feeling most recently while reading Cornelia Funke’s Inkspell this weekend.  Meggie read the character of Orpheus into the Inkworld, a stupid, illogical move destined to do nothing but create trouble.  Obviously she needed a new villain for the third book, but that was soooo obvious that it was painful.  It insults the reader’s intelligence.

Inkspell was hard to get through in a number of ways.  I kept falling asleep while reading it in the bath, and that almost never happens with a book I’m reading the first time.   The series is oddly compelling though, and it’s been sneaking into my dreams.  Once  I awoke as the dream me was observing to someone, “The characters are knocking on the door, but they just can’t get out of the dream.” 

A bit freaky, that.

 

Fluevog here, Fluevog there… March 3, 2011

Filed under: Commentary,Grace Awakening — Shawn L. Bird @ 12:53 am
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Hot on the heels of my recent blog on Fluevog shoes, I discovered John Fluevog himself looking out at me from the cover of Vista magazine while I was visiting my local health food store today (stocking up on dark chocolate covered ginger and stevia)  Check it out. The article is on page 22. http://www.vistamagonline.com/

Fluevog is asked how his love of cars influences his shoe designs and he responds,

I like cars because I like the way they look; it has nothing to do with the way they drive.  I actually walk to work every day and I don’t drive that much, thought I have four cars.  Oddly enough, cars and shoes have a lot in common.  They’re multi-angular, multi-functional, continuously moving shapes.  I think cars are fashion guards–the lack of fashion lately in cars is a reflection of society and what people think.

This amuses me because in Grace Awakening Fatima the Bug is almost a character,

Like everything else about her, Auntie Bright’s car was very distinctive.  It was an ancient VW Beetle that she’d had painted a vivid Mediterranean blue, and then she’d hand painted it with a swirling variety of giant paisleys in purples, blues, yellows and reds.  Here and there were dots of gemstones glued on as accents, just to add sparkle.  At first glance it seemed as if she’d upholstered the car with vivid cloth and sequins.  People did double takes on the highway, and she generally had at least one person stop to admire and to ask her about it wherever she went.  Children were drawn to it.  People smiled as they saw her coming.  It always made her shake her head and remark, “People are such cowards.  They come and rave about how beautiful my car is, how they wish they could have a unique car, and yet they content themselves to drive around in boring mud coloured cookie cutters.  I don’t get it.”  (p. 269)

We’ve already established that  Bright would love Fluevog’s shoes.   I wonder what he’d think of Bright’s car?

Or mine, for that matter!

 

places to look for lost keys March 2, 2011

Filed under: Commentary — Shawn L. Bird @ 12:50 am
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I’ve looked

  • in the pocket of every coat worn this week
  • in the pocket of all pants worn this week
  • in every pocket of each purse used this week
  • under couch cushions
  • under a tree in the backyard where you watered plants when you go home
  • on a window sill
  • on a book shelf
  • in your gym bag
  • in the knitting bag
  • in the library bag
  • on the bedroom dresser
  • on the guest room dresser
  • on the dressing room dresser
  • in the cutlery drawer
  • on the kitchen counter
  • in the fridge (keeping Heather’s phone company)
  • on the key rack
  • with the lost harp tuning key, wandering free
  • tangled within the bed sheets
  • in the dog bed
  • on the fireplace mantle
  • on the ironing board
  • by the sewing machine
  • on the washing machine
  • rattling around inside the washing machine
  • buried on the coffee table
  • on the computer desk, or the other computer desk, or the other computer desk

 

So– where have YOU found your keys? Mine have to be here somewhere. Additional suggestions appreciated!

 

Grace February 28, 2011

Filed under: Grace Awakening,Literature,Pondering — Shawn L. Bird @ 12:30 am
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In Grace something is transcended, once and for all overcome. Grace happens in spite of something; it happens in spite of separateness and alienation. Grace means that life is once again united with life, self is reconciled with self. Grace transforms fate into a meaningful vocation. It transforms guilt to trust and courage. The word …grace has something triumphant in it.    ~Yrjö Kallinen

I found this quote on the Facebook status of friend who works at the UN. Aside from the concept of grace which is so beautifully explored here, I am fascinated that it was written by a Finn.  If Yrjö Kallinen was writing this in Finnish, it opens up another interesting language exploration, as there isn’t a single word for ‘grace’ in Finnish.  Perhaps Kallinen was thinking of gratia as there is a bit of the wealth of gratia gratium parit reflected here.

I want to know more about this.  If you know where this quote is from, please leave a comment so I can explore more.

Kiitos Yrjö!

Addendum:  March 1, 2011

I found this clip of Kallinen.  He’s speaking Finnish, and so the majority of you will have to read the sub-titles, but if you’re curious to hear his lovely clear enunciation that even I can make sense of have a listen.  Apparently Kallinen was a pacifist and conscientious objector who nonetheless was Finland’s Minister of Defence from 1946-48.  He is speaking about life and dreams and how to revolutionize thinking.  Quite apropos to what is happening in the Middle East at the moment.

Elämmekö unessa? (Are we living in a dream) pt 2 – 1 Translation(s) | dotSUB.

 

up all night February 27, 2011

Filed under: Commentary — Shawn L. Bird @ 12:17 am
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Prompt #56 (b?)  What keeps you up at night?

Story. 

Given any opportunity- a weekend or a holiday, for example- I switch immediately to 4 a.m. to noon which seems to be my natural inclination.  At 4 a.m. I fall asleep without effort, like other people seem to be able to do at 9 or 10:00.  Before 4 a.m. I tend to lie awake hearing dialogues, watching scenes, formulating letters, contemplating plots…

If I start reading a book in the evening, I must finish the book.  Unless I’ve already read it, or it is really boring, I pick up a book and finish it in basically one sitting.  If I happen to have a whole series at hand, the rest of the world will stop as I read through from first book to last without a break. 

This tendency to nightly story telling probably originated with the bedtime stories my father told me as a kid.  I was one who hid my light to read into the night.  Sometimes I heard the morning bird chorus and fell asleep only briefly before getting up for school in a couple of hours.  If I don’t have another author’s story in my head, I tend to lie in bed telling my own, by making sense of the life story I’m living, creating stronger dialogue and better plot lines.  I’ve been crafting stories to myself forever.

Stories keep me up all night.

 

Pearl of great price February 21, 2011

The final character to explore from Hawthorne’s The Scarlet Letter is Pearl.  Of course, much has been written about the obvious point that Pearl represents the Biblical “pearl of great price” because Hester loses everything on her account.  What I don’t see explored are some deep issues around that Biblical reference or some other issues around her name.

A pearl is an excellent symbol for a secret, because a pearl is a hidden irritation that is slowly transformed. The pearl becomes a ball that emerges from the flesh of the oyster.  When revealed the pearl is a thing of beautiful rarity.  Hester’s body would have been transformed as Pearl blossomed in her belly and exposed the sin.  When choosing the name, Hester chose to acknowledge Pearl as a treasure and accepted the transformation of her life.  She seems to welcome the isolation and notoriety that results, celebrating her difference from the rest of the community.

Hester also chose to protect the identity of Pearl’s father.  A pearl is hidden inside the oyster and no one knows whether it is there.  Thus, Pearl represents the secret of her father’s identity.  Today, he could be found by genetic testing, but Pearl would have to give her genes in order to reveal the identity.

The Bible quotation is a short one. Matthew 13, verses 45 and 46 reads     “Again, the kingdom of heaven is like a merchant looking for fine pearls. When he found one of great value, he went away and sold everything he had and bought it.”  (New International Version).   Consider this: 1. the merchant purchases this treasure, and the purchase is what determines its value.  2. the kingdom of heaven is represented in this transaction.

Is Hester symbolic of the kingdom of heaven because she has made the sacrifice for this pearl? Or is Pearl symbolic of the kingdom of heaven because she is purchased at great sacrifice?  Both concepts are worthy of exploration.  What microcosm of heaven is found in Hester and/or Pearl?  The fundamentalists Calvinists represented by the Puritans believed in pre-destination, in other words, from the beginning of time God has known who will or will not make it into heaven. This philosophy makes reward and punishment seem a trifle perverse, since there is nothing the individual can do to improve his or her spiritual condition.  Thus, Hester was conceived with Pearl as an inevitable sacrifice and the weight of Dimsdale’s and her sin.  Does their respective independence, insolence, disrespect for authority, love of beauty, and unrepentence reflect the kingdom of heaven?  Hmm.  There is an entire essay waiting to be written on just this concept. (If you write it, put a link to it in a comment, below!)

A pearl is an expensive ornament, and Hester works very hard to ensure Pearl is a showy ornament in the dreary community.  Puritans do not believe in ornamentation.  Pearl was destined to be set apart from the other children simply due to her parentage.  If she is going to be set apart, Hester seems to have reasoned, then she might as well celebrate the difference.

A pearl is also the most delicate of precious stones.  One can easily crush a pearl underfoot.  Rough treatment does little to damage a diamond or a ruby, but will destroy a pearl.  Pearls are supposed to be kept isolated from other jewelry in soft bags to avoid being scratched or damaging their glowing lustre.  They can not be cleaned with caustic substances or they are destroyed (one suspects Puritan life was rather caustic with all that fire and brimstone).  Hester seems to believe that Pearl is a sweet gentle creature beneath the aggression that she shows to others.  The aggression confuses her.  Is Pearl really as delicate as her name implies or is her mother’s treatment what makes her unable to fit into her society?  From her clothes to her attitude to her living arrangements Pearl is intentionally set apart.  Should one not anticipate a creature who does not fit in as a result?  Is Pearl really delicate or is she the firey creature intimated by her wild behavior?

One further thought:  we never hear her full name spoken, but consider the sound of the name “Pearl Prynne.”   The double aspiration of these single syllable words is like an exclamation of derision.  It makes a rather effective taunt.  Consider also some homophones for Pearl Prynne.  Puritan is one. Why would her name echo her community’s and her father’s faith? How about Purim– when the Jews were saved from a genocide by Queen Esther’s appeal to King Darius?  Who does Pearl save? (or attempt to save?) Or purlin– the beam that supports rafters in a roof.  Does Pearl support anyone? Or purlieu  a place on the edge, once set aside for royalty but now available for common use.  How does Pearl allow others to go through into royal (heavenly?) lands?  Or pyrethrum– a poison derived from chrysanthemums.  How is Pearl a poison within the community or within the lives of her parents?  Each of these homophones invites further exploration of symbolic connection to Pearl.

I’ve given you lots of complex things to consider when you analyze Pearl Prynne.  Which ones particularly resonate with you?

(c) Shawn Bird.

Students, to avoid plagarism please cite this source as follows:

Bird, Shawn.  Pearl of great price.   https://shawnbird.com/2011/02/21/pearl-of-great-price/  Collected (insert date you copied your notes).

See analyses of other characters from The Scarlet Letter.

 

 

Bright boots… February 20, 2011

Filed under: Commentary — Shawn L. Bird @ 8:28 pm
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Every once in awhile I feel obligated to draw to your attention a fashion source that Auntie Bright would love.  I confess that Fluevog Shoes, based in Vancouver, is so fabulous that it goes beyond the adoration of my fictional character, and I love it, too!  John Fluevog is a Canadian shoe designer who creates amazing, unique, retro, delightfully Bright shoes.  If you like the weird, wonderful and unique, go wandering through the on-line store at http://www.fluevog.com 

When you’re studying the various lines of shoes,you can probably figure out that Eris has the LA boots, and Bonnie loves the Wearever collection… 

These Libby Smith boots are coming home with me and Bright, but I’m sure you’ll find something you love as well… 

PS.  While you’re at Fluevog.com don’t forget to check out John Fluevog’s beautifully restored (and slightly reinterpreted) antique Jag  “The Flueguar” under “STUFF.”  What a car!

 

Arthur Dimsdale: can’t see his power February 19, 2011

A third character to explore in The Scarlet Letter is the minister, Arthur Dimsdale. Many sources narrow in symbolically on the idea that Dimsdale is ‘dim.’ Dim as in stupid, when he fails to recognise the evil in Chillingsworth. Dim as in weak, as his physical health declines. Dim as in muted light, when he is hiding himself in the dark of his denial of Hester and Pearl.

However, there is far more to explore here. Dale means ‘valley.’ I live in a valley, and I love the sense of comfort and security the hills provide. One feels hidden away, not everyone can see you when you’re in a valley. Being in a valley cuts off light though. The sun isn’t visible until it has climbed over the hills, and it leaves earlier dropping behind them. This gives valley dwellers a shorter day. Being down in the valley also limits our perspective. We see what we see of our own little area, we don’t get a sense of the larger world unless we climb up to the top of the mountains. Isolation tends to produce navel gazers, and this certainly applies to Dimsdale. He has no sense of a wider world of possibility open to him.

Finally, Arthur is an old Welsh name means ‘bear.’ There are lots of bears where I live as well, so I know something of their characteristics and I see Arthur reflected in this name choice as well. A bear is a powerful creature which has the ability to get whatever it wants, but it can be defeated until it becomes a dancing bear- moving to the tune of trainer who has weakened it, until it has no idea of its power anymore.   A bear looks distinguished and capable to some, but the bear itself often seems slow and stupid, going about motions without a lot of consideration to more creative solutions (return to the same places to feed on easy garbage, for example, instead of fleeing to the safety of the wilderness where freedom means more effort). Bears also hibernate. They fill themselves and climb into their dens and ignore the world, stuck in their own dreams until awakened by the hunger for more. However, this is the time when bears are their most vulnerable, for a hunter can pick them off as they groggily head out the door.

Yes, Nathaniel Hawthorne made a very appropriate name choice for Arthur Dimsdale!

(c) Shawn Bird.  Students, to avoid plagarism, cite this article as follows:

Bird, Shawn.  “Arthur Dimsdale: can’t see his power.” https://shawnbird.com/2011/02/20/arthur-dimsdal…-see-his-power/  Collected (insert the date you copied the information)

 

Roger Chillingsworth: his value cools ardour! February 18, 2011

The next character worth considering in The Scarlet Letter name analysis is the antagonist, who decides that he should be known as Roger Chillingsworth. Many works reference “chill” and suggest he is cold, but don’t neglect the ‘worth’ part of his name.  His value in the story is not just to add a chill to Hester’s heart when she catches sight of him, or to chill the feeble heart of Arthur Dimsdale with his constant vigilance.  His value in the story is his cold heart, which menaces Hester. Like cold air, he hovers around making people miserable by his presence.

If Hester is a burning star, Chillingsworth is a cold calculation, freezing out good intention and positive options. When the other townsfolk have given up worrying who the adulterous father is, Hester knows that Roger Chillingsworth is still on the case, so she continually feels the chill of fear on behalf of her beloved.

Consider also that Roger means “spear.” Hester is constantly stabbed with pain in his presence, for having married him initially, for her personal betrayal of him, and for fear of his inevitable retribution.

Chillingsworth also destroys Dimsdale by the cold evil of his presence and stabs of guilt that Dimsdale feels.

At the end of the narrative when Hester and Dimsdale finally feel free and hopeful about their future, Chillingsworth destroys their dream with a stab through their hearts, and freezes them to the core with the realisation that he will never let them escape from him.

(c) Shawn Bird.  Students, to avoid plagarism, cite this article as follows:

Bird, Shawn.  “Roger Chillingsworth: his value cools ardour!”  https://shawnbird.com/2011/02/18/roger-chilling…e-cools-ardour/  Collected (insert the date you copied the information)

 

Hester Prynne: the star of love February 17, 2011

I’ve mentioned before that authors choose their characters’ names very carefully, researching them like they would for their own children.  These offspring of the imagination need a name that edifies the reader about their traits, either in agreement or contradiction.

Last weekend I read Nathaniel Hawthorne’s The Scarlet Letter.  I haven’t read it since college, and although I remember the plot well enough that I was shocked and dismayed by the movie version a few years ago, I had lost some of the finer points.  Unfortunately, I didn’t finish reading until moments before book club, and I didn’t get a chance to do some of the research I’d like to have done on the characters’ names.  So I’ll do some of that exploration here.

The protagonist of the story, of course, is Hester Prynne.  Her name is delightfully symbolic, though I can’t say I’ve ever seen reference to this in any on-line study guides I’ve skimmed through.

Her first name, Hester, is Greek.  Like “Aster” it means Star.  This meaning opens up several possible interpretations.  A star is a beacon that guides the lost.   A star illuminates the darkness.  A star is unreachable.  A star cannot be hidden for long, even if it is covered by cloud, it is still above all, shining.  A star is forever burning.  A star can implode and suck others into the void.  A star inspires stories, music, and wishes.  Now consider the character of Hester and all the ways those things apply to her…

Her last name, Prynne, is not an accident either.  Although it doesn’t mean anything to us, to Hawthorne it would have been a classical Puritan choice, like naming a Mennonite character Friesen or Reimer.  William Prynne was a very famous Puritan leader and pamphleteer.  He lived in England and wrote denouncing the Church of England and its Archbishop Laud.  Over objections to some of his writings, he found himself in court a time or two, and managed to get his ears cut off as a disciplinary measure.  He was rather successful in his campaigns, however, because Archbishop Laud was executed.  Like William Prynne, Hester Prynne was punished publically, but challenged authority by bearing unapologetically the mark of shame, and thereby turning it into a badge of honour.

I ponder whether Hawthorne could have known the Sanskrit word prem, which is a homophone of Prynne?   Prem means love.  Seems pretty coincidental, doesn’t it? Hester Prynne was a star of love, blazing above her community, having flaunted the moral rules of the community by embellishing the token of sin and becoming a beacon and a talisman.

(c) Shawn Bird.  Students, to avoid plagiarism, cite this article as follows:

Bird, Shawn.  “Hester Prynne: the star of love”  https://shawnbird.com/2011/02/17/hester-prynne/  Collected (insert the date you copied the information)

There are four posts on this blog about characters from The Scarlet Letter.  Click to see all four.