Millions of people want to write books. A few of them will actually start writing. A few of those will finish writing. If you’re stranded between starting and finishing, sadly aware that you’re missing something, then Angela Ackerman and Becca Puglisi could be your salvation.
Ackerman and Puglisi have created a series of thesauri that help writers develop powerful, engaging characters and settings. These non-traditional tools can help a writer find new angles, depth, and vocabulary for what they want to convey. I have a few of them, both for my personal reference and for my creative writing classes. I was delighted with the opportunity to see their latest release, in exchange for a fair review.
The latest tool in the arsenal is a re-vamp of the first thesaurus. The Emotion Thesaurus 2nd edition has almost doubled the first edition. There are articles on how and why to use various emotions, as well as 55 more emotions to examine.
The articles are clear and easy to apply. I will be using “Emotion and Dialogue” with my creative writing students.
Each emotion entry provides
- a definition
- a long list of physical signals and behaviours of the emotion in action
- internal responses to the emotion
- mental responses to the emotion
- acute or long-term impacts of the emotion
- signs that the emotion is being suppressed
- where it may escalate or de-escalate
- power verbs associated with the emotion.
Now, sure, you would probably be able to figure out a lot of these areas if you contemplated long and hard, but more likely you’d settle for the first few things that occured to you, and miss a variety of points that would add depth to your characterization. While you were thinking, you wouldn’t be writing more on the story.
When you find a sign of an emotion that you’d never considered, and it gives you new directions at the same time, you’ve struck gold. It leads to plot points you may not have considered. I will make good use of this book.
The Emotion Thesaurus 2nd edition is a valuable tool to help writers save time, develop depth, and learn more about their characters. Highly recommended for your writers’ toolbox!
Visit their website to explore the entry for schadenfreude as an example of what you can expect.
You can buy The Emotion Thesaurus 2nd ed. at the usual sites. If you use the link at left, I earn a bit as an Amazon Affiliate.
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A Brave review July 10, 2012
Tags: Brave, curls, hair, Merida, review.
Fantastic animation (her hair! the water!), some very funny scenes, very scary bears, kilt humour, and a lovely little tale makes for a good film in Brave, the latest release from Disney Pixar. While the plot was a little obvious in parts, and the theme seemed a bit over done, it was quite an enjoyable film. I’d give it 4/5 stars. Truly, you should go just to see the groundbreaking hair flowing across the big screen.
Pixar really does a remarkable job of forging new ground in animation. Throughout the film, I just kept being amazed at protagonist Merida’s hair. It’s phenomenal, never before seen truly animated hair that it looks like it could have come straight off my friend Angela’s head. Merida’s hair, like Ange’s, had a life of its own. Sections behaved in different ways, colour and curls throughout were different so it had real dimension, just like Ange’s. The hair, more than anything, declared Merida’s tempestuous, independent nature. When she’s forced to contain it, she feels fake and unnatural.
Here is a very interesting FX guide to the process of creating those amazing locks.
And here are the locks in action. (As an aside, I also find these three suitors an absolute hoot. They completely remind me of some grade 9 boys I’ve known! Particularly the middle one. You know who you are!) 😀
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