Shawn L. Bird

Original poetry, commentary, and fiction. All copyrights reserved.

loneliness May 25, 2013

Filed under: Poetry — Shawn L. Bird @ 11:11 pm
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Snail subsisting

in solitary

travel trailer

inhales oily hair.

Magenta imagination

strikes a stuttering sibilance.

This journey is

long,

lingering,

loneliness.

.

.

A poem crafted in a workshop with Gary Gottfriedson at Word on the Lake 2013.  (Having a great time!  Wish you were here!)

The brief: 10 lines with rich imagery; include senses, an amazing verb, and a colour; avoid clichés.

 

wishful thinking April 4, 2013

Filed under: Poetry — Shawn L. Bird @ 11:30 am
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I dream of easy affection

when I can celebrate you

without you analyzing my motives

and finding me lacking.

I dream of easy affection

when I can trust you

not to rip apart my offerings

with cruel and callous doubts.

I dream of easy affection

when you can happily accept

tthe best I had whether or not it

was good enough for you.

I dream of easy affection

but some days it seems

like my hopes bring me

a lot of pain

for nothing.

.

.

Sometimes it is so much easier to close up the heart, when you are constantly misunderstood, rejected, and ignored by those who should love and respect you. 

 

her with him July 27, 2012

It’s not truth,

but danger.

    Not what is real,

    but what’s perceived.

        The excluding

        exclamations

        of laughter

             contrasted by

             bored eye brows

             and sighs.

An amused knife

slicing through

her security.

         © Shawn L. Bird

————————————————–

Being a free verse, there is no strict rhyme or rhythm pattern in this one, but you’ll see lots of examples here of consonance, assonance, and alliteration.  Notice in particular the pattern of growling of the /r/s, the explosive /ex/s and the sighing /s/s which reflect the narrative persona’s emotional experience.  

There is a circle pattern with the 6 sections (not quite stanzas, not being separated) being strongly consonant /r/, then assonant /e/, then alliterative /ex/, and then reversing: alliterative /b/, assonant /i/, and finally consonant /r/ again.  How does this pattern reflect the persona’s emotional state?

You are welcome to use this poem in your class room, crediting the author.  I’d also be pleased to see a comment indicating where and when you did.  Thanks.

 

Missing you December 5, 2010

Filed under: Poetry — Shawn L. Bird @ 6:47 pm
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There is an empty place
where there should be your face
Be happy where you are
though it is much too far

Away, my love. from my embrace
Return.

I long to kiss your face.