Shawn L. Bird

Original poetry, commentary, and fiction. All copyrights reserved.

Time takes care of all things September 8, 2012

“Time is a lot of the things people say that God is.  There’s the always pre-existing, and having no end.  There’s the notion of being all powerful–because nothing can stand against time, can it?  Not mountains, not armies.

And time is, of course, all-healing.  Give anything enough time, and everything is taken care of:  all pain encompassed, all hardship erased, all loss subsumed.

Ashes to ashes, dust to dust.  Remember, man, that thou art dust, and unto dust thou shalt return.

And if  Time is anything akin to God, I suppose that Memory must be the Devil.”

Diana Gabaldon in Breath of Snow and Ashes

I found this quote rather profound.  Memory being the Devil ascribes evil to our past.  Beyond haunting, it implies danger, cruelty and manipulation.  Do our memories really do that?

Mnemosyne, the goddess of memory shows up in Grace Awakening Myth.  She and Lethe, the goddess of forgetfulness, are working together on Ben to sculpt him just the right combination of memories to keep him optimistic.  They work together to keep him whole, because he would not be able to bear contemplating the possibilities opened up by his more painful memories.

I wonder if our own memories often work the same way?  If we are successful in burying the negative history, we are re-working our own memory.  I suppose it must also work in reverse.  We can ignore all our positive experiences and craft ourselves memories of a terrible childhood, and use that strange, inaccurate perspective to fuel our behaviour.  We can view ourselves as down trodden over-comers, and use that to force ourselves to deal with current challenges.

Gabaldon’s quote is from Claire’s perspective.  Claire has a lot of memories from life in the future and in the past.  She has a complex web of memories that she might like to escape.

What do you think?  Are your memories an inspiration to your future, or are they a challenge to overcome?

 

soul vs a woman July 7, 2012

I’m transcribing the text of Life of Petrarch by Susanna Dobson (1777).  This day’s words offer a fascinating view of Petrarch’s hopeless devotion.  He climbs Mt. Ventoux with his brother, has a profound spiritual awakening, and determines to avoid Laura and the distraction his affections for her have on his spiritual devotion.  Laura, who has sedulously avoided him for nearly a decade, is alarmed at this change in his behaviour to her, and with a few words of attention, sucks him right back to her feet where he belongs.  lol.  I have to say, this section seemed rather familiar.  Obviously, men and women have not changed much in six hundred years!  

Here is the passage.  In brackets are the page numbers in my original 1777 copy of this work.  (sic) indicates a verbatim spelling from the original.  I have switched ‘f’ to ‘s’ in words as required (to avoid lines like “he attempted the moft diftant expreffion”), but otherwise have kept all spelling,capitalization, and punctuation as it is in the original.

An imagined view of Petrarch and Laure, which looks to be set at Fontaine de Vaucluse.

THIS year, in 1336, at the end of April, Petrarch, always curious and eager to see new objects, took a journey to Mount Ventoux.  This is one of the highest mountains in Europe, and having a few (104) hills near it so lofty as to intercept the prospect, it presents from its summit a more extensive view than can be seen from the Alps or the Pyrennees.  Petrarch gives this account of his journey in a letter to father Dennis:

“HAVING passed my youth in the province of Venaisson, I have always desire to visit a mountain which is described from all parts, and which is so properly called the mountain of the winds.  I sought a companion for this expedition; and, what will appear singular, among the number of friends that I had, I met with none quite suited to my mind: so true it is, that is is rare to find, even among persons who love one another the best, a perfect conformity in taste, inclination, and manner of thinking.  One appeared to me too quick, another too slow; I found this man too lively, the other too dull; there is one, said I to myself, too tender and too (105) delicate to sustain the fatigue; there is another too fat and too heavy, he can never get up so high; in fine, this is too petulant and noisy, the other too silent and melancholy.  All these defects, which friendship can support in a town and in a house, would be intolerable on a journey.  I weighted this matter, and finding that those whose society would have pleased me, either had affairs which prevented them, or had not the same curiosity as myself, I would not put their complaisance to the proof.  I determined to take with me my brother Gerard, whom you know.  He was very glad to accompany me, and felt a sensible joy in supplying the place of a friend as well as a brother.”

“WE went from Avignon to Malaucene, which is at the foot of the mountain on the North side, where we slept the night, and reposed ourselves the whole of the next day.  The day after, my (106) brother and myself, followed by two domestics, ascended the mountain with much trouble and fatigue, though the weather was mild and the day very fine.  We had agility, strength, and courage; nothing was wanting; but this mass of rocks is of a steepness almost inaccessible.  Towards the middle of the mountain we found an old shepherd, who did all he could to divert us from our project.  It is about fifty years ago, said he, that I had the same humour with yourselves; I climbed to the top of the mountain, and what did I get by it?—My body and my cloaths (sic) torn to pieces by the briars, much fatigue and repentance, with a firm resolution never to go thither again.  Since that time I have not heard it said that any one has been guilty of the same folly.”

“YOUNG people are not to be talked out of their schemes.  The more the shepherd exaggerated the difficulties of (107) the enterprise, the stronger desire we felt to conquer them.  When he saw that what he said had no effect, he shewed us a steep path along the rocks; that is the way you must go, said he.”

“AFTER leaving our cloaths and all that could embarrass us, we began to climb with inconceivable ardour.  Our first efforts, which is not uncommon, were followed with extreme weakness: we found a rock, on which we rested some time: after which we resumed our march; but it was not with the same agility; mine slackened very much.  While my brother followed a very steep path which appeared to lead to the top, I took another which was more upon the declivity.  Where are you going? cried my brother with all his might; that is not the way, follow me.  Let me alone, said I, I prefer the path that is the longest and the easiest.  This was an excuse for my weakness.  I wandered for some time at (108) the bottom; at last shame took hold of me, and I rejoined my brother, who was set down to wait for me.  We marched one before another some time, but I became weary again, and sought an easier path; and at last overwhelmed with shame and fatigue, I stopped again to take breath.  Then abandoning myself to reflection, I compared the state of my soul, which desires to gain heaven, but walks not in the way to it; to that of my body which had so much difficulty in attaining the top of Mount Ventoux, notwithstanding the curiosity which caused me to attempt it.  These reflections inspired me with more strength and courage.”

“MOUNT VENTOUX is divided into several hills, which rise one above the other; on the top of the highest is a little plain, where we seated ourselves on our arrival.”  (109)

“STRUCK with the clearness of the air, and the immense spaces I had before my eyes; I remained for some time motionless and astonished.  At last waking from my reverie, my eyes were insensibly directed toward the fine country to which my inclination always drew me.  I saw those mountains covered with snow, where the proud enemy of the Romans opened himself a passage with vinegar, if we may believe the voice of fame: thought they are at a great distance from MountVentoux, they seemed so near that one might touch them.  I felt instantly a vehement desire to behold again this dear country, which I saw rather with the eyes of the soul than those of the body: some sighs escaped me which I could not prevent, and I reproached myself for a weakness I could have justified by many great examples.

“RETURNING to myself again, and examining more closely the state of my soul; (110) I said, It is near ten years, Petrarch, since thou hast quitted Bologna: what change in thy manners since that time!  Not yet safe in port, I dare not view those tempests of the mind with which I feel myself continually agitated.  The time will perhaps come, when I may be able to say with St. Augustine; if I retrace my past errors, those unhappy passions that overwhelmed me, it is not because they are still dear, it is because I will devote myself to none but thee my God.  But I have yet much to do.  I love, but it is a melancholy love.  My state is desperate.  It is that which Ovid paints so strongly in that well-known line;”

“I cannot hate, and I am forced to love!”

“IF, said I, thous shouldst live ten years longer, and in that time make as much progress in virtue; wouldst thou not be able to die with a more assured hope?  Abandoned to these reflections, I (111) deplored the imperfection of my conduct, and the instability of all things human.”

“THE sun was now going to rest, and I perceived that it would soon be time for me to descend the mountain.  I then turned towards the West, when I sought in vain that long chain of mountains which separatesFranceandSpain.”

“NOTHING that I knew of hid them from my sight, but nature has not given us organs capable of such extensive views.  To the right I discovered the mountains of the Lyonnaise, and to the left the surges of the Mediterranean, which batheMarseilleson one side, on the other dash themselves in pieces against the rocky shore.  I saw them very distinctly, though at the distance of several days journey.”

“THE Rhone glided under my eyes; the clouds were at my feet.  Never was (112) there a more extensive variegated and inchanting (sic) prospect!  What I saw rendered me less incredulous of the accounts of Olympus, and mount Athos, which they assert to be higher than the regions of the clouds from whence descend the showers of rain.”

“AFTER having satisfied my eyes for some time with those delightful objects which elevated my mind, and inspired it with pious reflections; I took the book of St.Augustin’s confessions which I had from you, and which I always carry about me.  It is dear to me for its own value, and the hands from whence I received it, render it dearer still; on opening it I accidentally fell on this passage in the tenth book: “Men go far to observe the summits of mountains, the waters of the sea, the beginnings and the courses of rivers, the immensity of the ocean, but they neglect themselves.”

“I TAKE God and my brother to witness that what I say is true.  I was struck with the singularity of an accident, the application of which it was so easy for me to make.”

“AFTER having shut the book, I recollected what happened to St. Augustin, and St. Anthony on the like occasion and believing I could not do better than imitate these great saints, I left off reading, and gave myself up to the croud (sic) of ideas which presented themselves, on the folly of mortals, who neglecting the most noble part, confuse themselves with vain objects, and go to seek that with difficulty abroad, which they might easily meet with at home.  If, said I, I have undergone so much labour and fatigue, that my body may be nearer heaven; what ought I not to do and to suffer, that my soul may come there also?” (114)

“IN the midst of these contemplations I was got, without perceiving it, to the bottom of the hill, with the same safely, and less fatigue than I went up.  A fine clear moon favoured our return.  While they were preparing our supper, I shut myself up in a corner of the house to give you this account, and the reflections it produced in my mind.  You see, my  father, that I hide nothing from you.  I wish I was always able to tell you not only what I do, but even what I thing.  Pray to God that my thoughts, now alas! vain, and wandering, may be immoveably fixed on the only true and solid good.”

PETRARCH often retired into the most desart (sic) places; and if by accident he met with Laura in the streets ofAvignon, he avoided her, and passed swiftly to the other side.  This affectation displeased her.  Meeting with him one day, she looked at him with more kindness than usual.  Perhaps she wished to preserve a lover (115) of such reputation; or could not be insensible to the constancy of his affection.  A favour so unhoped for from Laura, restored Petrarch to happiness, and put an end to all his boasted resolution.  When he passed a few days without seeing her, he felt an irresistible desire to see her in those places she frequented.  She behaved to him with more ease; he wished to assure her of his love by the most tender expressions, or at least by his sighs and tears; but the dignity of Laura’s countenance and behaviour rendered him motionless: his senses were suspended, his tears dried up, and his words expired upon his lips.  His eyes could alone express the feelings of his soul.  In a sonnet he says:

“YOU could not without compassion behold the image of death stamped on my face; a kind regard, a word dictated by friendship has restored me to life.  That I yet breathe is your precious gift.  (116) Dispose of me, for you are the reviver of my soul; you alone, beautiful Laura, possess both the keys to my heart.”

THE Poets imagined their heart to have two doors, the one leading to pleasure, the other to pain.  It is to this poetic fiction that Petrarch alludes.

LAURA wished to be beloved by Petrarch, but with such refinement that he should never speak of his love.  Whenever he attempted the most distand expression of this kind, she treated him with excessive rigour; but when she saw him in despair, his countenance languishing, and his spirits drooping; she then reanimated him by some trifling kindness; a look, a gesture, or a word, was sufficient.

THIS mixture of severity and compassion, so strongly marked in the lines of Petrarch, is the key to a right judgment of Laura’s character.  It was thus she (117) held for twenty years the affections of a man, the most ardent and impetous, without the smallest stain to her honour; and this was the method she though best adapted to the temper and disposition of Petrarch.

 

literary immortality July 6, 2012

I’ve been spending the last few days transcribing my copy of Susanna Dobson’s Life of Petrarch (1777) and as I plug away on the typing I am musing on immortality.

The other day I alluded to and listed Shakespeare’s “Sonnet 18,” and as I read it, I am thinking of the comparison between Will’s unknown inspiration, and Petrarch’s Laure.  Here’s that sonnet again:

SONNET 18

Shall I compare thee to a summer’s day?

Thou art more lovely and more temperate.

Rough winds do shake the darling buds of May,

And summer’s lease hath all too short a date.

Sometime too hot the eye of heaven shines,

And often is his gold complexion dimmed;

And every fair from fair sometime declines,

By chance, or nature’s changing course, untrimmed;

But thy eternal summer shall not fade,

Nor lose possession of that fair thou ow’st,

Nor shall death brag thou wand’rest in his shade,

When in eternal lines to Time thou grow’st.

So long as men can breathe, or eyes can see,

So long lives this, and this gives life to thee.


The immortality happens in the closing couplet.  So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.  “This” is, of course, Will’s poem.  He claims that he has made his beloved immortal by describing her (or him) in this poem.  The immortality has limited value, being as we have no idea of whom he was speaking, but the moment of loving adoration is captured for all time.

Petrarch is a little more specific.  He names his love, and of course, the people of his time knew exactly who she was.  He calls her Laure, and his poetry abounds with symbolism of the laurel.  A crown of laurels was (and still is) a mark of distinction. Petrarch believes she is his crown and his success.  History (particularly the Abbé de Sade in his Mémoires sur la vie de François Pétrarque, 1764) records her as Laure de Noves, wife of Hugues de Sade.  (In English, we call her Laura).

Here is Petrarch’s Canzoniere 6 which shows a play on the laurel at the end:

Now so depraved is my poor fool, desire,
To persecute this lady, turned in flight,
Unloosed of Love’s entrapments, footing light,
Ahead of my slow run he flies. Prior

To my objections, by the roads most dire,
The more I call, the more he takes to flight;
Restraint is weak, nor has the spur its bite
When Love and nature in him do conspire.

And then he grasps the bridle to direct
The way, and takes me for a vassal, hastes
Post-haste, as though to death, my worsened state

To reach at last the laurel and collect
The bitter fruit of others’ plagues, the tastes
That grieve one more, unless they consolate.

(trans.  “Hypocorism” on Yahoo Answers)

This poem is echoing the section that I’m transcribing at the moment.  Laura is being stalked.  Petrarch follows her about Avignon, gazing dreamily at her or trying to talk to her.  She covers her face and takes off in the other direction.  You can almost hear her running steps while Petrarch shouts rhyming verses extolling her beauty.  It’s a wonder her hubby Hugues didn’t call him out and beat him to a pulp!  (Now that’s an interesting scene, isn’t it?  Hmm.  Expect to see something along those lines).

The summary of this vague sort of comparison between Will and Francesco is that  to truly be immortalized, the beloved needs a name, and a personality.  Laure seems far more real than Will’s anonymous beloved.  While Laure is busy running in the opposite direction, pulling her veil over her head, and trying to maintain her virtue against the onslaught of Petrarch’s devotion, Will’s beloved is a static object, simply receiving affection and adoration.  There is no sense of individuality.  Nonetheless, the love does become immortal because it is recorded.  Words are powerful.

Here’s an afterword by poet Jacopo Sannazzaro   (1458–1530).  A hundred years earlier, Petrarch had lived at the spring that is the source of the Sorgue River, writing his canzonieres to Laura beneath the limestone cliffs that echo with the burbling of the river.

Sorgues, the River  Laura de Sade

THE NYMPH by Sorga’s humble murmurings born,

Illustrious now on wings of glory soars;        

Her high renown its awful echo pours           

Wide o’er the earth. Splendors like these adorn        

Her, destined, in her modest beauty’s morn,          5

To charm the eye of Petrarch. Her the doors 

Of fame’s proud dome enshrine; the radiant stores   

Of fancy blaze around her; nor does scorn    

On her low birthplace and obscurer tomb      

Glance a triumphant scowl. What suns illume                    10

With lustre like the Muse? How many dames,          

Wise, chaste, and lovely, of distinguished race,        

Have slept in death forgotten, lost their names,        

While hers from age to age beams with still heightened grace.         

(Trans. Capel Lofft)

Indeed.  The words craft immortality; the love brings fame.

This image is popularly considered to be Laure de Noves de Sade, beloved of Petrarch, though the Musee Petrarque in Fontaine de Vaucluse asserts that there are NO verified pictures of her, most being painted years after her death.

 

forever June 23, 2012

Filed under: Mythology,Writing — Shawn L. Bird @ 8:55 pm
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“No measure of time with you will be long enough, but let’s start with forever.”

Edward’s wedding  speech

Twilight Breaking Dawn (pt 1)

Having just finished draft two of Grace Awakening Myth, this whole “I’ll love you forever, if all those evil doers keep out of my way long enough” thing has been on my mind.  Is it easier to love someone forever when you have to keep fighting for them?  If someone is just always ‘there’ and not at risk, is it too easy to take them for granted?

Here are Bella and Edward at their wedding, finally everything is going their way, but no one gets happy ever after at the beginning of a book.  Forever has to work through adversity.

 

heat in the band room June 14, 2012

The latest snippet from Grace Awakening Myth

Things are heating up in the band room!  (Ben is narrating).

.

Ryan came in.  “Did you see Tanis?”   His eyes were wild.

“When?”

“Today.  She’s wearing something.”

“I should hope so.  Otherwise she’d be arrested.”

He shook his head, as if to shake out an image, “No, I mean, she’s wearing some…thing.  Ahhh.”  He shook harder, then hissed, “Look!”

Tanis sauntered in.  She was definitely wearing ‘something,’ all right.  Skin tight.  Mini-dress.  Black leather.

Ryan cast a frantic look over to Mr. J.  Mr. J glanced back and raised an eye brow.

Paul came in, grinning.

Tanis glanced over her shoulder and then bent over.

Paul sucked in his breath.

Ryan gulped.  Loudly.  Like he had swallowed his tongue.

“Tanis,” Mr. J called.  “I need to see you over here, please.”

She grinned at us, our jaws hovering somewhere around our navels, and gave a little shoulder wiggle as she passed us.

Mr. J spoke to her quietly.

She shrugged and left the room.

He came over to us.  “For whose benefit was that display, gentlemen?”

“I…uh…well…” Ryan stuttered.

Paul twitched, but didn’t seem to have the capacity of speech anymore.

I inhaled.  “It’s complicated, sir.”

 

sewing with words June 10, 2012

Filed under: Grace Awakening Myth,Writing — Shawn L. Bird @ 6:20 pm
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When I write, I craft individual scenes.  When I have enough of them, I sort them out and put them in order, then I write the ‘in betweens’ that fill out the plot and ensure comfortable transitions, proper development of tension, etc.  After than comes the editing and additional padding or trimming that make things tidy.

It’s a bit like making a quilt of words.   First are the blocks, individual chunks, that are arranged into an attractive pattern.  They don’t stay together, though until they’re backed, and stitched down.

So, I’m quilting the final stitches in the third book of the series, Grace Awakening Myth today.  I think I’ll be done by bedtime.   Then off it will go to the first round of beta readers who will see if they find any holes in the structure and composition.  I’ll darn up what I need to, and then it will head off to the editor, who will trace the pattern for the final quilting.  When it’s all done, the next adventure will begin!

Another couple thousand words to stitch, and this word quilt will be done.

 

Sasquatch sighting in Cinnemousun Narrows June 9, 2012

Angela, an astute reader of this blog and member of the Facebook Fan Page, has sent me a link to two reports of Shuswap Lake Sasquatch sightings filed with the Bigfoot Field Researchers Organization: http://www.bfro.net/GDB/show_report.asp?id=11570.  Angela feels this report adds credibility to the Sasquatch reports in Grace Awakening Power.

This is not the first time I have written something, only to discover that  it fit into research or recorded history.  I find it quite amazing that the reports identify sightings in almost the same places as they occur in Grace Awakening Power.

What do you think?  Is it the equivalent of ‘dry wall stilts’ as Grace had initially alleged or is there more to this than meets the eye?

Thanks Angela for freaking us out over here at shawnbird.com!

 

3 levels of story: Donald Maass workshop June 7, 2012

I am beyond excited to be going to Surrey International Writers’ Conference next fall (in 133 days!).   I attended SIWC in 2009 after I’d written Grace Awakening, and successfully pitched it there.  I was a walk in registration on the Saturday that year.  This year,  I registered and paid on the first day I could for the full conference.  As a result, I have appointments with agent Victoria Marini and with Diana Gabaldon!  I’m so excited I can hardly stand it.

In the midst of my excitement, I’m feeling the pressure to be finishing up book 3, Grace Awakening Myth, and getting back to work on Grace Beguiling.  Beguiling is the book I was in France to research in 2011, and it has already had some help from Diana Gabaldon, as she responded to some historical questions about Roman Catholic practice that I’d posted on the Compuserve Writers’ Forum.   I was poking around the Forum today, looking for some interesting conversations and tips, and I came across links to this blog post that is the notes that L. S. Taylor  took at SIWC in a masters’ class by agent Donald Maass in 2011.    Maass handles some serious talent, and I’ve heard him speak before.  This workshop is so full of fantastic stuff that I thought I’d direct you to the link.   I’m going to be chewing on this for a while.  Taylor records, “Fiction that keeps us enthralled works on three different levels at once: the macroplot, the scene structure, and the line-by-line tension. A throbbing beat that keeps us dancing/reading, enthralled.”

Click here to read Taylor’s notes from Maass’s Master Class: Impossible to Put Down: Mastering the Three Levels of Story.  Thanks Laura for taking these great notes and posting them on your blog for us all!

 

happiness is. June 4, 2012

Filed under: Grace Awakening,Reading,Writing — Shawn L. Bird @ 12:48 am
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Today, happiness is being party to Twitter messages travelling between two young people reading #GraceAwakening.  The message ” ❤ Josh” had me teary-eyed.

It makes me happy when readers love my imaginary friends!  🙂

 

Graces for charity May 22, 2012

Here’s a wonderful opportunity for you.  Support Rochester Minnesota Women’s Shelter by purchasing beautiful jewellery themed on the Three Graces designed by Carole Kent-Kirckof.  I just bought a bracelet.  Lovely stuff.