Shawn L. Bird

Original poetry, commentary, and fiction. All copyrights reserved.

listen May 24, 2013

I am here

to listen.

I want to savour each word

of the story you create

to make meaning of the world.

I am here

to listen.

I want your words to come

clear on the air

to my ear,

each one a gift.

I want to listen

So speak your passion

in whispers and shouts

enunciated

truncated

dissipated

like leaves in fall

wisked away by wind.

I want to capture each one

so your story

becomes part of my story,

so I can raise my voice

sing my song,

tell my tale.

We share together:

I am;

hear.

.

.

Tonight I was at the Shuswap Association of Writers Coffee House, presented annually in conjunction with Word on the Lake Festival of Readers and Writers.  I heard some amazing writers and poets read, some were easier to appreciate than others.  I like when the poet savours his/her words, and crafts the reading like a performance piece, so you can experience the poem.  I dislike when a poet tosses off meaningless dribble, and then explains it, and the explanation is a better poem than the poem, itself.  Bad form, famous poet, bad form.  There was great stuff to enjoy, though, as there always is.

 

novels about books September 15, 2012

Filed under: Reading — Shawn L. Bird @ 6:11 pm
Tags: , , , , ,

I just finished reading Carlos Ruis Zafón’s Shadow of the Wind and it got me thinking about the number of novels I’ve read in the last while that are about books, writing, writers, and/or reading.  I have decided to compile a list for future reading (and past reference).  The ones I’ve read are in blue.  Please contribute if you know a novel that should be on this list!  Have you read any of these?  What’s your favourite?

NOVELS ABOUT BOOKS, WRITING, WRITERS, AND/OR READING:

  • Atonement  Ian McEwan (writing)
  • Blue Angel  Francine Prose (writing)
  • The Blue Flower Penelope Fitzgerald (writer)
  • The Book Thief Markus Zusak (book)
  • Crossing to Safety  Wallace Stegner (writing)
  • The Eyre Affair Jasper Fforde (book)
  • Fahrenheit 451 Ray Bradbury (books)
  • Flaubert’s Parrot Julian Barnes (writer)
  • Gertrude and Claudius John Updike (writer)
  • The Ghost Writer  Phillip Roth  (writer)
  • Haunted Chuck Palahniuk (writing)
  • The Hours  Michael Cunningham (writer)
  • Inkheart Cornelia Funke (book)
  • Inkspell Cornelia Funke (book)
  • Inkdeath Cornelia Funke (book)
  • The Information  Martin Amis (writing)
  • Loitering with Intent Muriel Spark  (writing)
  • Lost in a Good Book Jasper Fforde (reading)
  • Lunar Park  Bret Easton Ellis  (writing)
  • Matrimony Josh Henkin (writer)
  • Memory and Dreams Charles de Lint (writer)
  • Men in Black  Scott Spencer (writer)
  • Misery Stephen King (writer)
  • Nazi Literature in the Americas Roberto Bolano (writing)
  • The Neverending Story Michael Ende (book)
  • Pale Fire  Vladimir Nabokov (writing)
  • The Poet  Michael Connelly (writer)
  • Possession A. S. Byatt  (writing)
  • Salamander Thomas Wharton (book)
  • Shadow of the Wind Carlos Ruis Zafón (book)
  • Something Rotten Jasper Fforde (reading)
  • Starting Out in the Evening  Brian Morton (writing)
  • Thursday Next: First Among Sequels Jasper Fforde (reading)
  • The Toadhouse Trilogy–Book One by Jess Lowery
  • The Tragedy of Arthur Arthur Phillips  (writing)
  • The Well of Lost Plots  Jasper Fforde (reading)
  • The Wicked Pavillion Dawn Powell (writing)
  • Wonder Boys Michael Chabon (writing)

Old Saratoga Books has a blog about this that is freakishly thorough!  Check it out!

 

pitching at a conference July 12, 2012

Filed under: Writing — Shawn L. Bird @ 9:59 am
Tags: , , , , , , ,

There are 99 days before the Surrey International Writers’ Conference, and I’ve just remembered I have to prepare for my pitch.  I’ve been so excited about my blue pencil appointment with Diana Gabaldon that I’ve completely neglected the fact that I have an agent to meet with.  I anticipate having Grace Awakening Myth ready to pitch, or perhaps Number Eight, a high interest, low vocab novel I have had ‘just about finished’ for two years.  (Seriously, it’s missing about 2000 words, but Grace was a bully and completely took over).

The last time I pitched at a conference, I ended up with a contract for Grace Awakening with a small Vancouver publisher.  This time I’m meeting with a big time New York agent, and I feel a little out of my depth!  Writers’ Digest features a post this week on how to pitch to agents at conferences.  I am eager for the tips, and perhaps you’ll be interested, too.  See you in the appointment line!

 

3 levels of story: Donald Maass workshop June 7, 2012

I am beyond excited to be going to Surrey International Writers’ Conference next fall (in 133 days!).   I attended SIWC in 2009 after I’d written Grace Awakening, and successfully pitched it there.  I was a walk in registration on the Saturday that year.  This year,  I registered and paid on the first day I could for the full conference.  As a result, I have appointments with agent Victoria Marini and with Diana Gabaldon!  I’m so excited I can hardly stand it.

In the midst of my excitement, I’m feeling the pressure to be finishing up book 3, Grace Awakening Myth, and getting back to work on Grace Beguiling.  Beguiling is the book I was in France to research in 2011, and it has already had some help from Diana Gabaldon, as she responded to some historical questions about Roman Catholic practice that I’d posted on the Compuserve Writers’ Forum.   I was poking around the Forum today, looking for some interesting conversations and tips, and I came across links to this blog post that is the notes that L. S. Taylor  took at SIWC in a masters’ class by agent Donald Maass in 2011.    Maass handles some serious talent, and I’ve heard him speak before.  This workshop is so full of fantastic stuff that I thought I’d direct you to the link.   I’m going to be chewing on this for a while.  Taylor records, “Fiction that keeps us enthralled works on three different levels at once: the macroplot, the scene structure, and the line-by-line tension. A throbbing beat that keeps us dancing/reading, enthralled.”

Click here to read Taylor’s notes from Maass’s Master Class: Impossible to Put Down: Mastering the Three Levels of Story.  Thanks Laura for taking these great notes and posting them on your blog for us all!