Shawn L. Bird

Original poetry, commentary, and fiction. All copyrights reserved.

writing- the research behind Finding inspiration and voice July 4, 2018

Filed under: Writing — Shawn L. Bird @ 12:48 am
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I am presenting a few workshops this summer, as part of the Murdering Mr. Edwards book tour, and as such I have been researching.  In the Finding Inspiration and Voice: a workshop for novelists and poets workshop, participants explore character and plot development through a variety of prompts.

I am using the prompts to shake loose new ideas and bring out things ‘your brain knows, but isn’t tell you.’  This is a very unscientific way to explain creativity and its link to the subconscious, but there is science behind the concept, and here are some articles that may be of interest:

Andreasen, Nancy C. (MD PhD) A Journey into Chaos: Creativity and the Unconscious.

“How to Stimulate Creative Breakthroughs: The Unconscious and Creativity.” The Academy of Ideas.

Seager, Charlotte. “How the subconscious mind shapes creative writing.” The Guardian. 2015







Writing conferences: The Magical Realm June 6, 2018

Here’s a guest blog I wrote for Gail Anderson-Dargatz about the value of attending writing conferences:



Do you have a writing conference that has changed your life?  Tell me about it in the comments below!


I’m always happy to present at conferences, too, so if you are an organizer, drop me a line.


Writing-Is Norton Edwards an anti-hero? April 19, 2018

On a radio interview this week, I was asked about crafting anti-heroes, with the sub-text that Norton Edwards, the eponymous character of Murdering Mr. Edwards, is one.  I responded in a vague, general way, but I’ve been pondering more about this, so here is the extended answer to the question!  (It’s so much better when an interviewer tells you questions in advance, and you can put such thought into a response before it’s broadcast to the masses!)  :-S

So, here are my “Thoughts on crafting the anti-hero.”

I don’t think of Mr. Edwards as the protagonist of the tales, so he is not an anti-hero by the normal definition of the term: a protagonist lacking heroic qualities of nobility, morality, and courage (etc). I think of the staff as the protagonists of their individual tales, with Edwards as the antagonist in each.

Of course, Edwards is the protagonist of his own life, but he would certainly not think of himself as an anti-hero either.  He sees himself as the romantic lead.  He believes he is dashing, fascinating, handsome and absolutely heroic in his pursuit of intelligent discourse against the apathy and ignorance of society.  He imagines he is a great leader, inspiring the youth to connect to the great glories of literature.  He sees in himself all the heroic qualities.

He’s right, too.

He is all those things.  But just because he is charming and romantic when it suits him, does not mean that he is not also obnoxious, oblivious, and cruel.  He behaves abominably to the women he entrances each school year. He has unsavory habits.  In other words, Edwards, like most people, has negative qualities that he ignores or minimizes in the greater glory of his identity as hero of his own story.

As an anti-hero (if you must call him that) of the entire book, he is boring, pompous, and self-centred.  No one is cheering for Edwards in these stories.  We recognize him in the most irritating people we’ve ever worked with.  He’s a pathetic creature to the outside world, but he is content in his own class room demesne, well satisfied with his role as benign dictator (or minor nobility, if you prefer) over the students in his purview.  He is deluded about his nobility of purpose and his principles, but he is content.

In Murdering Mr. Edwards, this disconnect becomes the central conflict Edwards has between himself and each of the other members of the Canterbury High staff.  He is oblivious to how he is perceived by others, and if he were aware, he would discount their perception as foolishly, ignorantly, incorrect.

I was asked how one crafts an anti-hero.  My answer after consideration remains the same as I gave in the interview.  You craft an anti-hero as you craft everything else in a book.  You write the story in your head and then you edit to ensure what you see in your head matches what’s on the page.  In a larger work, If you craft your characters well, they are complex creatures whose positive and negative qualities cause conflict within the reader.  Even as they dislike the antagonist, they may find themselves feeling sorry for them, recognizing their fallible humanity.  We see some redeeming qualities.

After all, in the real world, we don’t actually murder those annoying co-workers, do we?


video interview with Writer’s Edge March 22, 2018

Filed under: Murdering Mr. Edwards,Writing — Shawn L. Bird @ 8:13 pm
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Here’s a video interview that I participated in recently with Coffin Hop Press and author Timothy Friend.


  • Grace Awakening isn’t 155 pages, it’s 155,000 words!
  • The publisher at Gumboot wasn’t Christina, it was CRYSTAL Stranaghan!


Author interview: me! February 8, 2018

Filed under: Grace Awakening,Reading,Writing — Shawn L. Bird @ 11:20 am

I was recently interviewed by David from the TOO FULL TO WRITE blog.  Check it out!


poem- push on January 28, 2018

Filed under: Poetry,Writing — Shawn L. Bird @ 3:28 pm
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We labour in monotonous isolation

Words falling onto pages

magic spells

new worlds

It might be good.

It might be worth sharing.

It might just be,

what it needs to be for us

to set our demons free.

Isolation and monotony,

and then someone

you respect


“Such lovely prose!”

or “beautifully wrought characters”

or “Loved it!”

and you think there’s hope

for your imaginary friends

and your imaginary world

and your imaginary dreams.

Labouring becomes inspired

by encouraging analyses.


quote- writers January 5, 2018

Filed under: Poetry,Quotations,Writing — Shawn L. Bird @ 12:08 pm
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“Writers are different,” said Waldegrave.  “I’ve never met one who was any good who wasn’t screwy.”

~Robert Galbraith (aka J. K. Rowling) in The Silkworm.

Uh oh!


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