Shawn L. Bird

Original poetry, commentary, and fiction. All copyrights reserved.

Diana Gabaldon said to me… October 20, 2012

The green shoulder is mine. I’m cropped out because I look like a troll in this shot! lol Diana does not seem to be able to take a bad photo! Check out her funky turquoise nails!

Today I had a blue pencil appointment with Diana Gabaldon at the Surrey International Writers’ Conference.  A blue pencil is 15 minutes of time in front of a professional author, who reads a very short selection of your work, and provides some general feedback.

I knew I’d be completely starstruck, so I asked her a month ago via Facebook if it’d be okay if I recorded the conversation, and she was fine with that.

I arrived into the empty seat in front of her desk in a flurry because I’d been in a line and lost track of the time, so I was nearly late for my appointment (and we’re not going to even discuss what a trauma that would have been after counting down, sometimes by the hour, for 135 days!).  I pulled out my scene, which is a very early, poorly cobbled together start to Grace Beguiling, which is/will be a historical/fantasy novel set in 14th century France.  The scene is 6 pages, which is way too long for a blue pencil, so I’d highlighted parts I particularly wanted her feedback on.  She just smiled, said that she was a fast reader, and zipped through the whole thing, laughing out loud in places, and making corrections of typos.  It is very cool to have your favourite author laughing out loud while reading your writing.  It’s a little embarrassing to have your favourite author correcting your typos.

When she was finished reading, I turned my iPhone’s memo recorder on and recorded her observations, suggestions, and reminders.

The part I most wanted to know about (and had spent months researching) she dismissed with a wave as, “Fine.”  We had some discussion about language choice in historical work and development and structuring of a ‘very beginning’ where there needs to be some action to grab the reader and the story must be established right away.  I am so glad I have that recording to remind me of my focus.  Grace Beguiling offers a number of stylistic challenges, and she’s helped me think about how I’m going to solve them.  There was nothing earth shattering, just common sense reiteration of basic principles.  It’s good to hear those words from someone whose knowledge you trust implicitly.  “Remember that…”  Oh right.  I know that.

Do it.

I wish the piece I’d brought wasn’t quite so rough, but it was a worthwhile endeavour.  One quote is going to be artistically rendered and put above my writing desk.

My favourite author, Diana Gabaldon said to me, “You know how to tell a story.”  That will keep me inspired for a very long time.

 

happiness is meeting your favourite author! October 18, 2012

Diana Gabaldon  and I at the Strawberry Hill Chapters in Surrey:  a gala fund raiser for the Surrey International Writers’ Conference.  This was a nice opportunity to chat a bit with her, as I visited with all of the other authors, waiting until the crowds were gone to speak to her.  Since we’ve been corresponding for a few months, she knew who I was and was very welcoming.

Now to get a good night’s sleep before falling off the deep end into the conference!

PS.  You can’t see them, but there are new Fluevogs on my feet after a pilgrimage to the Gastown Fluevog HQ… 🙂  (It’s been a very happy day celebrating my addictions).

PS2.  I didn’t even hyper-ventilate when I met her, although coming home  I wondered if I was having a heart attack.  After determining I simply did not have TIME to fit in a heart attack this weekend, I decided it was the Thai chicken wrap I had for dinner. 🙂

PS3. This trip was partially to help me prepare psychologically for my Blue Pencil session two days later.  You might be interested in reading the post Diana Gabaldon Said To Me as well

PS4. I was also amused to meet Diana’s son Sam Sykes, who wasn’t an official author at this event.  He’s amusing.

 

 

hyper-ventilating October 16, 2012

I have met some ‘famous’ people over the years, and while I may be in awe of their talent, they generally turn out to be people pretty much like me. I know that. But at the moment, it’s rather difficult to BELIEVE it.

As you’ve noticed if you’ve read this blog for any time, I love Diana Gabaldon’s Outlander series, and I am amazed by her talent and her generosity to her fans and other writers. I have posted questions on her Facebook page and on the Compuserve Writers’ Forum, and she has provided helpful (and sometimes lengthy) responses.

For these reasons, I am hyperventilating as this week ticks by, because in less than 48 hours I will be meeting Diana Gabaldon (and J. J. Lee, Jack Whyte, Mary Balogh, Anne Perry and Michael Slade, not to name drop or anything) 🙂 at a fund raiser for the Surrey Writers’ Conference, and on Saturday I have the honour of sharing the scene that Diana had helped me with in a 15 minute blue pencil appointment at the conference.  I am nervous, excited, and slightly terrified of making a fool of myself.

My son said, “Just don’t be a fan, Mom. Be professional.”

Yeah. Easier said than done, kid!

 

pitching at a conference July 12, 2012

Filed under: Writing — Shawn L. Bird @ 9:59 am
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There are 99 days before the Surrey International Writers’ Conference, and I’ve just remembered I have to prepare for my pitch.  I’ve been so excited about my blue pencil appointment with Diana Gabaldon that I’ve completely neglected the fact that I have an agent to meet with.  I anticipate having Grace Awakening Myth ready to pitch, or perhaps Number Eight, a high interest, low vocab novel I have had ‘just about finished’ for two years.  (Seriously, it’s missing about 2000 words, but Grace was a bully and completely took over).

The last time I pitched at a conference, I ended up with a contract for Grace Awakening with a small Vancouver publisher.  This time I’m meeting with a big time New York agent, and I feel a little out of my depth!  Writers’ Digest features a post this week on how to pitch to agents at conferences.  I am eager for the tips, and perhaps you’ll be interested, too.  See you in the appointment line!

 

3 levels of story: Donald Maass workshop June 7, 2012

I am beyond excited to be going to Surrey International Writers’ Conference next fall (in 133 days!).   I attended SIWC in 2009 after I’d written Grace Awakening, and successfully pitched it there.  I was a walk in registration on the Saturday that year.  This year,  I registered and paid on the first day I could for the full conference.  As a result, I have appointments with agent Victoria Marini and with Diana Gabaldon!  I’m so excited I can hardly stand it.

In the midst of my excitement, I’m feeling the pressure to be finishing up book 3, Grace Awakening Myth, and getting back to work on Grace Beguiling.  Beguiling is the book I was in France to research in 2011, and it has already had some help from Diana Gabaldon, as she responded to some historical questions about Roman Catholic practice that I’d posted on the Compuserve Writers’ Forum.   I was poking around the Forum today, looking for some interesting conversations and tips, and I came across links to this blog post that is the notes that L. S. Taylor  took at SIWC in a masters’ class by agent Donald Maass in 2011.    Maass handles some serious talent, and I’ve heard him speak before.  This workshop is so full of fantastic stuff that I thought I’d direct you to the link.   I’m going to be chewing on this for a while.  Taylor records, “Fiction that keeps us enthralled works on three different levels at once: the macroplot, the scene structure, and the line-by-line tension. A throbbing beat that keeps us dancing/reading, enthralled.”

Click here to read Taylor’s notes from Maass’s Master Class: Impossible to Put Down: Mastering the Three Levels of Story.  Thanks Laura for taking these great notes and posting them on your blog for us all!

 

the other side of the pitch February 18, 2012

When I attended my first writing conference- the Surrey International Writers’ Conference in 2009- I was told about The Elevator Pitch. This is the 30 second blurb about your book that establishes the protagonist, conflict, theme and audience. You need one, because every time you’re asked, “What’s your book about?” you should be able to answer concisely, in a manner that catches the person’s interest. I worked with author Carol Mason to polish mine, and when I presented it to Crystal of Gumboot Books that afternoon, it earned me a “Yes, we’d like to see more!” and eventually a contract.

I wondered at the time, what is it like for an agent, publisher or editor at these events? They’re the ones being pounced upon by every would-be writer in the building. Everyone there has something to pitch, and the APEs are the ones being pitched at. The image in my head is someone standing in the middle of the room, frantically covering his head while baseballs rain down from every direction.

Mark Glenchur has written a delightful poem that gives a hilarious view from the APE side. Unfortunately, the writer in the poem did not have a 30 second elevator pitch polished and ready.  Read and learn.