First performance with special effects.
Dry ice rises
from cardboard smoke stacks.
Audience gasps at the realism,
then the ice descends to the stage
and the singers gasp
and choke.
Always rehearse
the special effects first!
Don’t injure the imported talent
or the gratuitous local hacks!
.
.
I was watching Carmen from the Met on TV this weekend and was catapulted back in time to 1999 when I sang in the chorus of Carmen with the PG Symphony. Conductor Paul Andreas Mahr brought in four rising stars to join the symphony’s first opera: Mezzo Caroline Menard, Soprano Renee Salewski, Tenor Lenard Whiting, and the delightful baritone Tyler Duncan, the home-town boy, whose wide open arms gave wonderful bear hugs at every opportunity. It was a very fun production. I had to look up the imported talent to see what they’re doing now. Some exiting stuff! I hunted all over for the photos of this, but can only find the news clippings. I’ll keep looking, and update with photos when I find the right album. My special claim to fame in this production was that 3 of us had a spotlight moment in a part originally meant for kids, except it was too late in the opera, and all good children needed to be home in bed. No idea any more what I sang! 🙂
Shawn L. Bird 